New Jeremiad: Twenty Things I Learned From Bad 80s Genre Films
Filed Under: Uncategorized
I was asking you all about bad 80s movies for this article that has now gone live on Fantasy Magazine.
It’s kind of an odd mix of childhood nostalgia, remembrance of my father, and 80s movie jokes. I hope you enjoy it.
New Roundbottom: To Bind a Steam Wraith
Filed Under: Costuming, My Writing, Photography, Speculative Fiction
Another Monday, and another Roundbottom post has gone live over at clockpunk.com. This week, the good Doctor formulates a plan to recapture the dangerous wraith.
We’re hard at work around here on more Roundbottom content. The first podcast might very well be ready in the next week or two. My sound engineer Nate sent me a couple of files over the weekend that were great. The podcast is going to have fantastic engineering. Episodes will be short, running only 2-3 minutes most likely. But those 2-3 minutes will be packed with aural delights, I tell you.
Dr. Roundbottom needs your help to find his audience. Please consider linking to the site if you haven’t done so already.
Recommended: WALL-E
Filed Under: Film, Recommended Media, SF Films, Speculative Fiction, Top Post
Do you remember that Disney CG film Dinosaurs? It’s original concept involved a feature length movie with animals that only emoted, and never spoke. Having always been a big fan of computer animation, I was excited at the early rumors of the film. Unfortunately, Disney execs got involved and the result was the talky-travesty that we eventually saw. Okay, so maybe “travesty” is a strong word. It wasn’t a bad film– It just failed to live up to it’s potential as a work that stretched the boundaries of its format.
WALL-E succeeds in many, many ways, but the most fascinating aspect for me was the extent to which Pixar relied on nonverbal communication to convey the story. I have a strong feeling that in preparation for this film, the animators watched reels and reels of silent comedy films; Buster Keaton and Charlie Chaplin especially. Watch the movements of WALL-E, and I think you will see some of the exaggerated mannerisms of those silent film stars. Wall-E is all angles, but angles that can change their composition to one another, so he meets the basic principles of computer character animaton established by John Lasseter so many years ago with Luxo. He can squash and stretch.
(This review contains spoilers.)
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