Posts Tagged ‘My Writing’

Jesus Christ, Superhero?

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I’ve been think­ing about reli­gion in the super­hero genre, par­tic­u­larly as it per­tains to Christianity.

One of my per­sonal rea­sons for reject­ing the reli­gion is that I do not believe in the super­nat­ural.  I do not believe that a man rose from the dead, walked on water, turned water to wine, and so forth.  I believe that mod­ern evi­dence indi­cates such things to be utterly impos­si­ble.   But my rea­son for dis­be­lief here is not the subject–imagine if you lived in a world where such things hap­pened on a daily basis?

How would Jesus be viewed in a world where super­heroes soar through the skies, com­mu­ni­cate with thought, and are inde­struc­tible?  I have two trains of thought on this matter.

The first is that a lot more peo­ple would believe the basics of the story.  You’d have no rea­son to dis­be­lieve that a man once lived who did all those things.  The super­nat­ural is appar­ent in your day-​​to-​​day life.  Mutants have pow­ers, so it’s no stretch to believe that Jesus did as well.

But would peo­ple still make the leap of faith from these pow­ers and acts to believ­ing he was the son of god?  Would they more likely to believe that any­one mak­ing such claims were a delu­sional super­hero? Let me put it this way–in your favorite comic book uni­verse, if some­one showed up with sim­i­lar pow­ers to the sto­ries of Christ in the New Testament, would you believe that they were Jesus reborn, or would you sus­pect that they were some nefar­i­ous vil­lain pos­ing as Jesus for his own sin­is­ter purpose?

A world full of super pow­ers would have pro­found the­o­log­i­cal impli­ca­tions, and I don’t think I’ve read any­thing that deals with that exactly.  Most comic books I have read seem to have the same basic reli­gions we have.  BUt would they remain unchanged by 100 years of his­tory of super­men on the world stage?  How would the Catholic Church respond to the exis­tence of such things?

Feel free to point me out sto­ries that have dealt with this idea before.  This morn­ing in the shower, I started think­ing about writ­ing a take-​​off on Superman, much like Cory Doctorow did, but instead of depict­ing his par­ents as a jew­ish cou­ple in Toronto, I want to take him back to Kansas, but my Kansas, not the idea of Kansas of a New York comics writer.  Superman as raised by deeply reli­gious, fun­da­men­tal­ist, anti-​​choice Baptists.

How do you think he would have turned out in that kind of family?

New Roundbottom: The Escape

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Because I’m going to be in an air­plane when I would nor­mally post the new Roundbottom, I’ve decided to post it this morn­ing so I can make sure that noth­ing buggy hap­pens.   This post kicks off a new multi-​​part sto­ry­line involv­ing the super­nat­ural that I think you will enjoy.   Right now, mem­ber­ships remain closed and the only prints you can buy are the first series images.  The new series of pho­tos will be avail­able as lim­ited edi­tion, signed prints, but I haven’t quite worked out all the kinks there so it’s not open. I hope to have it open soon.  I’ll have the mem­ber­ship option open after I get back from Connecticut.  I just didn’t want any­body to have to wait too long for their goodies.

If you know of a zine or news site that might be inter­ested in the new Roundbottom,  please feel free toThe Escape for­ward the link on at this point.  I haven’t found any major bugs that weren’t expected at this point.  By the way, if you use gra­vatars, they will show up in the com­ments there.  I highly encour­age you to make a steam­punky icon for your­self when com­ment­ing there.  Feel free to com­ment in char­ac­ter.  Create your own per­sona, as many have done in the past.  It’ll be fun! The Dr. will respond to you in char­ac­ter as well.

We’ve got some fan­tas­tic audio engi­neer­ing going into the first pod­cast as well.  I hope to put those out, after an ini­tal roll-​​up, about once every two weeks.  They’re pri­mar­ily going to be Miss Watkins nar­rat­ing, with the ocas­sional grum­ble from Roundbottom him­self.  Remember that Mutual of Omaha show?  Same dynamic in the pod­cast. It’s going to be a blast.

So to recap, the new Roundbottom story is live.  Tell you friends.

The Paradox of Choice

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This New York Times arti­cle hits on some­thing that I’ve been wor­ry­ing about for some time, which is that it seems that there are more and more peo­ple tak­ing up writ­ing, while at the same time, fewer are read­ing. I thought this was a prob­lem spe­cific to the SF short fic­tion world, but it sounds like a greater issue in pub­lish­ing in general.

I’m not gloomy about the pos­si­bil­i­ties though. For a deter­mined reader, there is more out there to find than there ever has been before (of course, you can say that in any given moment, as old books don’t go away, at least not imme­di­ately). What we need are bet­ter ways of fit­ting the con­tent to the con­sumers. I do think that before the infor­ma­tion rev­o­lu­tion that came with the rise of the Internet, find­ing con­tent you would like to con­sume was eas­ier. There was less to choose from, and you could eval­u­ate your choices more quickly. Now, I sus­pect many are par­a­lyzed by choice.

Barry Schwartz, writer and researcher, believes that infi­nite choice is exhaust­ing. He makes a very inter­est­ing case for this in a talk that he gave at TED recently. He also pub­lished a book in 2004 called The Paradox of Choice (ama­zon). I haven’t read this book, but I think it’s going to go on my stack of things to read.

One aspect of the arti­cle that struck home with me was this:

On the whole, Zaid is unwor­ried about the pro­lif­er­a­tion of books, though he doesn’t think every­one should set pen to paper. “About would-​​be writ­ers, André Gide used to say: ‘Découragez! Découragez!’”(discourage!), Zaid said in an e-​​mail mes­sage. “The impli­ca­tion was that real writ­ers would not be dis­cour­aged, and the rest would save a lot of time. Of course, some medi­oc­ri­ties are never dis­cour­aged, and some poten­tial real writ­ers would be lost. But there is so much tal­ent around that we can afford it.”

I was dis­cour­aged, along with many other 8th grade writ­ers, by James Gunn just as I was start­ing to be inter­ested in writ­ing. He gave a depress­ing and detailed talk to us about how dif­fi­cult that it is to become pub­lished, and how lit­tle money there was to be made. Even before the Internet, things weren’t all sun­shine and roses around here. He was never asked back to our con­fer­ences, which was a shame, because I think he brought up some very good points. But I think he shared the same opin­ion that Gide did. However, his dis­cour­age­ment didn’t stick, and I hope to meet him again some­time in the future to thank him. In some ways, his dis­cour­age­ment spurred me to push on with my writ­ing. At the end of his talk, despite being so neg­a­tive, he encour­aged those of us in atten­dance to mail our man­u­scripts to him and he would pro­vide us feed­back. I don’t know if any­one else did, but I sent a story I had writ­ten recently, a kind of para­nor­mal SF piece. He sent back the most care­fully writ­ten, won­der­fully help­ful com­ments. His gen­eros­ity has not been for­got­ten, and along with Ann Tonsor Zeddies, I con­sider him one of the first to men­tor me in the craft.

I want to write more about this paral­y­sis and para­dox of choice, and some pos­si­ble solu­tions. I think we can find ways to arti­fi­cially and help­fully limit our choices with­out sti­fling new cre­ative work. We already have some ser­vices, such as Amazon Suggests and some fea­tures on Netflix that help to do this. I’d love to see a sys­tem built that tracks as much of the short story mar­ket as pos­si­ble, hav­ing data­base entries for each story. As read­ers, we would open accounts and flag the sto­ries that we liked. And then, the site would make rec­om­men­da­tions based on what we have liked in the past, sug­gest­ing new authors, new pub­li­ca­tions, and new sto­ries that me might not come across oth­er­wise. The sys­tem would learn and be trained over time, and soon, it could be a very effec­tive means of lim­it­ing choice with­out burn­ing down mar­kets or run­ning of writ­ers. It’s a long tail tac­tic and it isn’t going to make any­one rich, but I think it has some merit. I’d look into build­ing some­thing like this, but I think the match­ing algo­rithms are way beyond my pro­gram­ming skills, and the data entry part would be dif­fi­cult to main­tain with­out the help of the indi­vid­ual edi­tors and pub­lish­ers. No one per­son could keep the con­tent up-​​to-​​date, although I sup­pose you could offload that respon­si­bil­ity to the read­ers as well–but then, that sounds like work, and might reduce the poten­tial user base for the site. Also, you intro­duce the pos­si­bil­ity of typos, intro­duc­ing dupli­cate data that would make matches much harder.

I will write more on this sub­ject when I’ve read more on the para­dox of choice, which has impli­ca­tions in web design as well—something I was think­ing about as I designed the lay­out of my new site, and is the rea­son you don’t find a full-​​fledged archive any­where. I attempt to limit the choice of new read­ers to my best entries and the lat­est con­tent, and I put many choices in the footer, kind of push­ing them out of the way so that only the deter­mined would find them, and they wouldn’t inter­fere with the more casual reader. I can’t say how well this has worked yet.

How do you han­dle the glut of choice avail­able to you in your read­ing today? Does it result in you read­ing more, or less? What are your strategies?

Recommended Reading: The Wreck of the Grampus by Jeremy Adam Smith

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Lone Star Stories — The Wreck of the Grampus by Jeremy Adam Smith

Do you under­stand the story, you machine? If there is an intrin­sic design to the uni­verse, human­ity has not been able to find it. We must make our own, and so are most fully human when in sit­u­a­tions that are wholly artificial.”

Picking some­thing from this story to quote was not easy. This is one of the best, if not the best sci­ence fic­tion story I have read this year. It has senswunda note after senswunda note–a ver­i­ta­ble senswunda orches­tra. It has robots and deep philo­soph­i­cal ques­tions and giant under­sea crea­tures. Believable human char­ac­ters, deeply human in their ways, and some deeply strange. This is a future that does not leave me cold like many post-​​singularity sto­ries do, which are so com­mon these days. In those sto­ries, you can almost feel the sil­i­con wrapped around you. Not here. There’s so much I want to say, so many sur­pris­ing bits, but I don’t want to spoil it for anyone.

I think it’s absolutely fan­tas­tic, and the author, Jeremy Adam Smith, and Eric Marin, the edi­tor and pub­lisher, should have as many kudos I can throw at them. This is damned good sci­ence fic­tion. Read it. Let me know what you think. Let the edi­tor and author know.

My only prob­lem is, the author’s name is Jeremy. I can’t stand that name!

This, My Body” Live on EscapePod

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My story from Interzone 199, “This, My Body,” a sen­sual tale of sex, food and reli­gion, is now live on Escape Pod.

I am very, very ner­vous about lis­tener reac­tion to this one.

Writing Progress, Lack Thereof and Tropes, Liked by Me

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I am utterly fail­ing to keep up the pace of writ­ing this week. No words. Not even any revi­sions. I prob­a­bly shouldn’t have bought that design book ear­lier this week. It’s great for the day job stuff, but read­ing it eats up the time and energy I should be spend­ing work­ing on my next story.

There’s this trope I am exam­in­ing right now. One of the things about sec­ond world fan­tasy that both­ers me is that it’s rarely very ambi­tious with how dif­fer­ent things are from our world. Now, before you burn me at the stake, hear me out.
Continue read­ing ›

More Thoughts on the Depression of Science Fiction

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Charlie Finlay said in the com­ments on the last post that, for the past sev­eral years, every SF novel he’s read has seemed this way, which is why he’s trended towards fan­tasy. So I put some thought into what SF nov­els I had read recently.

The Execution Channel was the most recent one. Holy smokes, was this depress­ing. So it fits the bill. Postsingular seemed a lot more upbeat. In fact, it was the first near-​​future SF any­thing that I’ve read in a while that didn’t men­tion ter­ror­ism. So I haven’t really noticed a trend of depres­sive ele­ments in my most recent read­ing of nov­els, but then, I don’t read a lot of SF novels.

I do know that Gordon has been talk­ing about get­ting a lot more sto­ries about death for a while now. Maybe I’m just now start­ing to see those sto­ries being pub­lished here and there.

It’s odd, because I’ve spent the past cou­ple of years kind of obsessed with death and the after­life, and now that I’m com­ing out of that obses­sion and start­ing to feel bet­ter, I find death all over the place in my read­ing. Was it that com­mon of a theme before? Not sure. I don’t remem­ber it being so, but it’s prob­a­bly a mat­ter of my changed per­spec­tive as much as any­thing else.

Some ques­tions.

1. Does any­one know how rel­a­tively opti­mistic the SF pub­lished in China is?

2. I don’t read Baen’s–are they more upbeat?

3. Do you think British writ­ers have been more prone to depres­sive stuff since their own ter­ror­ist attacks recently?

4. Is there a need for upbeat SF? Not nec­es­sar­ily more pos­i­tive, but maybe less, well, grim?

Why I hate Elves, Dwarves, Dragons, and…

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(This is a very tongue-​​in-​​cheek entry.)

It’s no secret to reg­u­lar read­ers that I loathe so-​​called generic fan­tasy. And it is generic, in a very supermarket-​​product sense. Generic fan­tasy is a pale imi­ta­tion of some­one else’s orig­i­nal prod­uct. It is the yel­low box that says CEREAL on the bot­tom shelf.

Most generic fan­tasy is whole­sale intel­lec­tual thiev­ery from J.R.R. Tolkien. Yes, he him­self built his world based on mythol­ogy, and I am aware that one of his goals was to cre­ate a mythol­ogy for England. But that does not earn lazy authors any points with me if they write using his basic world-​​building ele­ments. I don’t care if your elves are doing some­thing non­tra­di­tional, like build­ing and rac­ing high per­for­mance race cars. I don’t care if they are detec­tives, paired up with a gruff but lov­able dwarf who chomps cig­ars and quips about unsolved cases. You’re still rely­ing mostly on the hard work that Tolkien did for your char­ac­ter­i­za­tion and world building.

Stop being so lazy and make up your own worlds! China Mieville, you get an A from me. Even if I didn’t like Un Lun Dun very much (under­stand­able, being a children’s book).

The same goes for you bloody adults that read this stuff. It’s for­giv­able in the habits of a D&D play­ing teenager, but you should know bet­ter. You’re delib­er­ately impov­er­ish­ing your brain by read­ing this stuff. Put down the Robert Jordan and back away slowly. The Sword of Shanara has been read plenty enough times. Terry Brooks, you have your money. Let’s lock all the copies in a big vault and for­get about it for a few centuries.

It’s got­ten to the point where I can’t even see Tolkien’s work clearly. I am sure he did some­thing impres­sive and new, once upon a time, but I can­not view his work with­out look­ing through the lens cre­ated by the garbage that has fol­lowed it. I might have been a fan if I hadn’t been exposed to every­thing that came after­wards. I do enjoy the Hobbit, I guess, but it’s by no means my favorite fan­tasy novel.

I guess what I am try­ing to say is, if you write and sell a book that involves a reluc­tant, small-​​sized hero being tasked to steal some­thing for the Bigger Folk and fac­ing Mighty Danger, receiv­ing help along the way from the lithe, tall, and earthy peo­ple with pointed ears and high chin bones, it gives me the right to punch you in the gonads. You have been warned.

Now I’m off to write up that dwarf-​​and-​​elf-​​they-​​solve-​​crime! story.

SF Magazines: Financial Models

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For my own ben­e­fit as much as any­thing else, I’d like to run through the mod­els that I am aware of that can be used to finan­cially sup­port a magazine–whether it is a print or an elec­tronic mag­a­zine. Here’s what I got. If I miss any, please let me know and I will con­tinue to update this. These are not mutu­ally exclu­sive. Many mag­a­zines use a com­bi­na­tion of these.

Subscription/​Pay Model

Giving the con­tent in return for a sub­scrip­tion fee or a cover price. Generally sell­ing a bun­dle of stories/​content. Example: tra­di­tional print magazines.

Advertising Model

Selling access to your read­ers to adver­tis­ers, and plac­ing their adver­tis­ing among your con­tent. Example: most tra­di­tional print mag­a­zines sell adver­tis­ing as well.

Patron Model

Supported by a sin­gle per­son or small pri­vate group of peo­ple from pri­vate funds. Example: The Fortean Bureau was pri­mar­ily our pri­vate money. (If you ever donated? You are my hero).

Donation/​Fund Drive model

The NPR model, as I’ve heard it referred to. Regular requests for funds from read­ers, with no set amount. Example: Strange Horizons is the most suc­cess­ful exam­ple of this. I believe Escape Pod does this as well, but I haven’t seen any fund dri­ves from them.

Full Site Sponsorship

A sin­gle cor­po­rate entity, for what­ever rea­son, sub­si­dizes the mag­a­zine. Example: SCIFICTION. I seem to think Chizine as well?

Premium Content

Special access to spe­cial con­tent. A kind of sub­scrip­tion model. I’m not sure about this one, what do you guys think? Is it dif­fer­ent enough? Example: Salon used to do this, but I am not sure if they do anymore.These mod­els are irrel­e­vant as to whether a mag­a­zine is non­profit, hobby, or for-​​profit. Many of these mod­els are con­sid­ered fail­ures. Which ones do you think work or don’t? Perhaps the best solu­tion for a sus­tain­able mag­a­zine (online or off) would be a com­bi­na­tion of 3 or more?

I am not sure that the sub­scrip­tion model is work­ing very well any­more. As Chance pointed out in the com­ments of the Triad post yes­ter­day, com­par­ing Escape Pod to the Triad isn’t a good com­par­i­son because Escape Pod doesn’t have a cost to sub­scribe. I argued that just because the one has a dif­fer­ent model for sup­port than the other doesn’t mean that they can’t be com­pared as “mag­a­zines” with readerships.

Steve, I know you some­times read this– could you tell me or pro­vide me a link to where you might talk more about the fund­ing model behind Escape Pod? Chance argues that Escape Pod is your hobby, as another rea­son that the sub­scriber num­bers can’t be com­pared. I’d like to know more about how Escape Pod affords to func­tion, if you’re com­fort­able talk­ing about it.