JeremiahTolbert.com: SF Writer Web Designer Photographer

Posts Tagged ‘marketing’

5 More Ways for Writers to Market Themselves

Filed Under: SF Business, Writing Advice, creativity

There are two schools of thought on marketing and writing.  Some think that marketing can lead to great success, or that marketing alone is responsible for the success.   Dan Brown is someone I hear this accusation levied at from time to time.  Others will argue that no amount of marketing will make a bad story good.  Bad in this case generally being bland and boring. I waffle back and forth between these opinions depending on the writer and how jealous I feel, but ultimately, I ascribe to a synthesis of the two.

Talent and genius are not all that is required to succeed in writing.  Sure, they’ll take you places a lot of the time.  But there’s a problem that doesn’t have anything to do with how good you are.

There are a lot of other talented people out there doing work just as good, if not better.  And they’re all vying for the attention of the same people you are.  Sure, you can segment the market a bit, and narrow your niche, but ultimately, we’re all looking for readers, and there are only so many (and apparently growing fewer by the year).  Forget the national deficit, we’re running one hell of an attention deficit these days.   Luckily, there’s no shortage of appetite for good stories.  Human being are voracious consumers of the stuff.  But each person is presented with a veritable buffet of choices, and until they try a dish, they have no idea if it will be any good.  It’s  such a big buffet that they might not even know your dish is down there, next to the green bean casserole and the candied yams.  They may fill up on bread.

Okay, I’ve stretched that metaphor as far as it will go.

Writers don’t want to be salespeople.  If we wanted to be salespeople, we wouldn’t be writing. There are no shortage of jobs for salespeople.  Maybe you’ll win the publisher jackpot and get a great marketing deal with your three book contract.  Or maybe your publisher’s internal process will hiccup and the book sellers won’t really know what your book is about, and will have a hard time pushing it to the chains and you’re dead on arrival.   Or, maybe you’ll publish in high quality, but somewhat obscure markets that not nearly as many people read as you might wish.

A lot of the time, the work falls to the writer to market themselves and their work.  You’ll have help along the way, from the editors and publishers who buy your work, but not always.  Then you need to step in, and market yourself.

It’s a bad word though, isn’t it?  I feel slimy just for even saying it.  I’ve had to come to terms with the notion that what I do isn’t really information technology any more so much as it is a form of marketing.  I have the negative stigma attached the idea as well.   But I’ve come to know some excellent and effortless self-marketers in the writing world, and it’s convinced me of the overall value.   They had the talent first, but even talent can use some help.

I’ve talked at length about how to use your website/blog to market yourself.  I’d like to discuss some alternative methods, or at least tangential ones.  So without further wind-up, here are a few more off-the-wall marketing ideas for writers and aspiring writers.  Use at your own risk.

  1. Get Em Young

    Volunteer as a speaker for your local school system.  This will probably go over best when you’ve got some credits to your name that you can show to teachers and administration.  Offer your services, explain that you would love to talk to kids about writing.  Bring along age-appropriate free samples (ARCs, magazine issues, and so on), and give it away to the kids.    Hey, if you’re a genre writer, you’re not only doing yourself a bit of a favor, and helping kids, you’re also increasing the exposure of the genre as a whole.   So it’s good marketing and it’s just good karma too.

  2. Twitter Away

    You already know about Twitter, right?  I’ve blathered on about it enough.  Here’s the thing… Twitter is infected with self-marketeers, marketing gurus, and all manner of social snake-oil salesfolk.  The Twitterati can smell a marketer from a million miles away.  I can tell from a glance at someone’s stream whether or not they’ve basically created a Twitter account to blare about their work, or product, or whatever.  They’re not subtleYou need to be subtle, and you do this by not being an asshole. Twitter’s for socializing.  This means you talk to other people, you listen, you participate.  You don’t use it as a broadcast medium.   It’s cool if you plug things now and then, really.  But retweet stuff too.  Answer replies.  Tell people how cool they are.  Be a genuine human being. And stay the hell away from anyone telling you that they have the sure-fire method of gaining you 16,000 followers in 24 hours.  That stuff has to be bogus.

  3. Become an Expert (or share your existing expertise)

    This goes back to something I wrote about yesterday, which is that I believe writers should have passions outside of writing itself.  Few of us make a living at this, and I hope some of us have day jobs that we kind of like.  So, make yourself an expert on your passion, and share it with others through online media.  An audience member is an audience member, and no, I don’t have any hard figures to support the notion that a blog reader turns into a book buyer, but a blog reader is one less person who has never heard of you.

    Call it becoming an expert, or establishing authority.  Either way,  you do so by offering something of usefulness to other people.  Like I have been so desperately attempting to do with this blog for the past several weeks.  You can do this by a blog, but you can also do this via find-an-expert sites.  Join a community around the subject and be helpful to others.  Project good energy out and it comes back to you, I have found.

  4. Manufacture a Controversy

    Tension sells in fiction and it sells in real life too.   And I’ll be damned if this doesn’t actually work sometimes.  Now, whether or not you do this depends on whether or not you think any publicity is good publicity.  Manufacturing a controversy, even if your outrage is true and heartfelt, can backfire.  Controversies inherently bring emotions to the table, and discussions can turn into flame wars in a second when emotions are at the table.    I’ll be honest.  I wrote some of the things I wrote in yesterday’s post because I knew some people would take exception to them, to the degree that they would be compelled to write a reaction.  That’s not to say I lied, because I believed what I wrote at the time.  But I knew that the “hook” of what I was writing was that some people would disagree with me.

    In the end, I feel bad about it though, and I won’t be using it as a blogging technique again unless I’ve put a lot of thought into my position.  Nick took me down yesterday in about fifteen minutes, and gave me trouble, rightfully so, for not researching before I wrote.    So if you want to manufacture a controversy, keep that in mind.  Do your research and make sure you feel strongly about your subject.

  5. Forget Everything I Just Said

    Sometimes, the best marketing a writer can hope for is to be a nice, helpful, genuinely interesting person.  Someone who gives as much as they receive, and who loves meeting and talking things over with new people.  Those people do well because they earn it.

    I’m trying to be that kind of person, but I’m also twittering, sharing my expertise (what little there is), and sometimes, not necessarily by accident, manufacturing a controversy or two.  To the point where I don’t get nearly enough writing done outside of the blog.

    I honestly write these posts out of a desire to be helpful, and to feel like I am engaging in the community around me.  If I’m trying to market anything, it’s my services as a freelancer.  I don’t have a book and my short stories are rare lately.  Maybe the best policy for a writer regarding marketing is honesty and authenticity.

So what do you think?

Five reasons this book trailer rocks

Filed Under: Graphic Design, SF Business, Top Post

I forget where I got this, but I think that it’s the level of quality I’d like to see in more book trailers online:

Having Tim Curry as a narrator is probably outside of the range of what we can afford as SF/F writers, but still.  Let’s go over what makes this awesome:

  1. Tight pacing. 2 minutes long, and packed with information.  If there’s a negative here, some of it is too fast.  But that is preferable to too slow.
  2. Rapid-moving, well designed motion graphics. The movement is varied. It’s not a bunch of slow zooms or pans on a graphic like many book trailers I see. Stuff comes in and leaves the view at an angle.  There’s perspective.  It has a coherent visual style also.
  3. Illustrations! This is much easier when your book has illustrations already, but maybe an investment in an illustrator would increase the “stickiness” of a book trailer.  It’s a visual medium, and you need some imagery to catch the eye.  Simple stock photos probably aren’t good enough. And you can only use your cover so many times.
  4. Professional narration, with the highest quality sound. So many book trailers I have seen end up sounding like they were recorded in a bathtub.  PC microphones are a travesty.   Studio-quality audio is not cheap.  Alas.
  5. Prominently displayed URL at the end. This isn’t a criticism of other book trailers as I usually don’t make it to the end in other ones I have watched.  But I liked how it left you with a call to action (go to the website!)  I don’t know how much promotion Lemony Snicket really needs for these books, but if I didn’t know about them already, this would have sent me running to the site.

My After Effects and Premiere skills are pretty rusty, but I think I’m going to try and add them back into my skillset.  I have a voice actor studio I’ve done work with in Denver at the old day job, and so I think I could probably offer a decently affordable, high quality book trailer service.  Youtube is the third most visited website on the web.  It’s power to bring your book before a new audience is unparalleled.  I’d really like to offer a service to tap into that power.

Today’s Market Health Question: How Many Readers Are There?

Filed Under: SF Business, Speculative Fiction

How many individuals, all told in the English speaking world, do you think currently read SF/F short fiction, by which I mean read at least one story published in the past year? Do you think that number is growing or shrinking? Explain your number, if you can. My thoughts after the jump.I don’t think the number could be more than 35,000 people. This is a totally soft number, and I’m guessing based on doubling the subscription figure of the largest print magazine, which is as good of a method as I can think of. I suspect that we can’t just total up all the subscription numbers because there’s a huge overlap between the groups.

If that number is even close to being right, it sure does make genre short fiction seem like the most niche of activities…

Now China and it’s SF magazine… that’s around half a million? I keep coming back to that. There’s something in that number, in that size that I can learn from, that is telling of the situation, but I cannot figure it out.

Honestly, after being in London, I am surprised short fiction isn’t more popular than it is. Everyone on the tubes appeared to be reading something. I saw a lot of books, but mostly the free papers. Has anyone ever tried to do a free paper consisting of fiction? I need to read up on the economics of those free papers. You could get one at every single tube station, from one of several people.

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About Me

Hi! My name is Jeremiah Tolbert, but call me Jeremy. I am a writer, photographer, and web designer currently living in Northern Colorado, seeking either freelance web design work or fulltime employment. Drop me a line if you have any questions, comments, advice, or heckles. I love hearing from new people. If you’re inclined, you can follow me on Twitter, where I share various links and talk about the same things I talk about here, only with fewer characters.

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