Do you remember that Disney CG film Dinosaurs? It’s original concept involved a feature length movie with animals that only emoted, and never spoke. Having always been a big fan of computer animation, I was excited at the early rumors of the film. Unfortunately, Disney execs got involved and the result was the talky-travesty that we eventually saw. Okay, so maybe “travesty” is a strong word. It wasn’t a bad film– It just failed to live up to it’s potential as a work that stretched the boundaries of its format.
WALL-E succeeds in many, many ways, but the most fascinating aspect for me was the extent to which Pixar relied on nonverbal communication to convey the story. I have a strong feeling that in preparation for this film, the animators watched reels and reels of silent comedy films; Buster Keaton and Charlie Chaplin especially. Watch the movements of WALL-E, and I think you will see some of the exaggerated mannerisms of those silent film stars. Wall-E is all angles, but angles that can change their composition to one another, so he meets the basic principles of computer character animaton established by John Lasseter so many years ago with Luxo. He can squash and stretch.
(This review contains spoilers.)
