Archive for the ‘My Writing’ Category

Clockpunk​.com Open for Beta Viewing

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The new Roundbottom site is now com­plete enough that I have taken it live on the domain. I’ve been at work on this redesign for quite some time now. There are prob­a­bly bugs… and don’t even bother look­ing at it with any­thing less than IE 7. Also, the site requires Javascript and Flash.

Bang away on it, and let me know what seems weird. I’ll try to get it fixed.

New con­tent will go live on Sunday, and will con­tinue to go live with new posts once a week until I run out again, but I have a nice sto­ry­line ready to go that should last into August.

Explore, and let me know what you think.

Available for Order: Seeds of Change

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The lat­est anthol­ogy edited by John Joseph Adams, Seeds of Change, is avail­able for pre-​​order on Amazon now.    The table of con­tents includes Ken Macleod, Tobias S. Buckell, Jay Lake, and many more fine writ­ers.  It also includes my story, “Arties Aren’t Stupid,” one of my per­sonal favorites.

The ori­gin for this story came from read­ing about mad gar­den­ers in Britain cre­at­ing liv­ing graf­fiti with blendered moss and spray bot­tles.  I won­dered what would hap­pen if such peo­ple had in their hands some­thing a bit more pow­er­ful than a blender, and the story spun off of that concept.

I hope you’ll order a copy, if not for me, than for those other fine writ­ers.   I’ve read the anthol­ogy, and I thor­oughly enjoyed it.

The Paradox of Choice

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This New York Times arti­cle hits on some­thing that I’ve been wor­ry­ing about for some time, which is that it seems that there are more and more peo­ple tak­ing up writ­ing, while at the same time, fewer are read­ing. I thought this was a prob­lem spe­cific to the SF short fic­tion world, but it sounds like a greater issue in pub­lish­ing in general.

I’m not gloomy about the pos­si­bil­i­ties though. For a deter­mined reader, there is more out there to find than there ever has been before (of course, you can say that in any given moment, as old books don’t go away, at least not imme­di­ately). What we need are bet­ter ways of fit­ting the con­tent to the con­sumers. I do think that before the infor­ma­tion rev­o­lu­tion that came with the rise of the Internet, find­ing con­tent you would like to con­sume was eas­ier. There was less to choose from, and you could eval­u­ate your choices more quickly. Now, I sus­pect many are par­a­lyzed by choice.

Barry Schwartz, writer and researcher, believes that infi­nite choice is exhaust­ing. He makes a very inter­est­ing case for this in a talk that he gave at TED recently. He also pub­lished a book in 2004 called The Paradox of Choice (ama­zon). I haven’t read this book, but I think it’s going to go on my stack of things to read.

One aspect of the arti­cle that struck home with me was this:

On the whole, Zaid is unwor­ried about the pro­lif­er­a­tion of books, though he doesn’t think every­one should set pen to paper. “About would-​​be writ­ers, André Gide used to say: ‘Découragez! Découragez!’”(discourage!), Zaid said in an e-​​mail mes­sage. “The impli­ca­tion was that real writ­ers would not be dis­cour­aged, and the rest would save a lot of time. Of course, some medi­oc­ri­ties are never dis­cour­aged, and some poten­tial real writ­ers would be lost. But there is so much tal­ent around that we can afford it.”

I was dis­cour­aged, along with many other 8th grade writ­ers, by James Gunn just as I was start­ing to be inter­ested in writ­ing. He gave a depress­ing and detailed talk to us about how dif­fi­cult that it is to become pub­lished, and how lit­tle money there was to be made. Even before the Internet, things weren’t all sun­shine and roses around here. He was never asked back to our con­fer­ences, which was a shame, because I think he brought up some very good points. But I think he shared the same opin­ion that Gide did. However, his dis­cour­age­ment didn’t stick, and I hope to meet him again some­time in the future to thank him. In some ways, his dis­cour­age­ment spurred me to push on with my writ­ing. At the end of his talk, despite being so neg­a­tive, he encour­aged those of us in atten­dance to mail our man­u­scripts to him and he would pro­vide us feed­back. I don’t know if any­one else did, but I sent a story I had writ­ten recently, a kind of para­nor­mal SF piece. He sent back the most care­fully writ­ten, won­der­fully help­ful com­ments. His gen­eros­ity has not been for­got­ten, and along with Ann Tonsor Zeddies, I con­sider him one of the first to men­tor me in the craft.

I want to write more about this paral­y­sis and para­dox of choice, and some pos­si­ble solu­tions. I think we can find ways to arti­fi­cially and help­fully limit our choices with­out sti­fling new cre­ative work. We already have some ser­vices, such as Amazon Suggests and some fea­tures on Netflix that help to do this. I’d love to see a sys­tem built that tracks as much of the short story mar­ket as pos­si­ble, hav­ing data­base entries for each story. As read­ers, we would open accounts and flag the sto­ries that we liked. And then, the site would make rec­om­men­da­tions based on what we have liked in the past, sug­gest­ing new authors, new pub­li­ca­tions, and new sto­ries that me might not come across oth­er­wise. The sys­tem would learn and be trained over time, and soon, it could be a very effec­tive means of lim­it­ing choice with­out burn­ing down mar­kets or run­ning of writ­ers. It’s a long tail tac­tic and it isn’t going to make any­one rich, but I think it has some merit. I’d look into build­ing some­thing like this, but I think the match­ing algo­rithms are way beyond my pro­gram­ming skills, and the data entry part would be dif­fi­cult to main­tain with­out the help of the indi­vid­ual edi­tors and pub­lish­ers. No one per­son could keep the con­tent up-​​to-​​date, although I sup­pose you could offload that respon­si­bil­ity to the read­ers as well–but then, that sounds like work, and might reduce the poten­tial user base for the site. Also, you intro­duce the pos­si­bil­ity of typos, intro­duc­ing dupli­cate data that would make matches much harder.

I will write more on this sub­ject when I’ve read more on the para­dox of choice, which has impli­ca­tions in web design as well—something I was think­ing about as I designed the lay­out of my new site, and is the rea­son you don’t find a full-​​fledged archive any­where. I attempt to limit the choice of new read­ers to my best entries and the lat­est con­tent, and I put many choices in the footer, kind of push­ing them out of the way so that only the deter­mined would find them, and they wouldn’t inter­fere with the more casual reader. I can’t say how well this has worked yet.

How do you han­dle the glut of choice avail­able to you in your read­ing today? Does it result in you read­ing more, or less? What are your strategies?

The Addictive Properties of Creative Work

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As I enter a phase of high pro­duc­tiv­ity, I am reminded of the par­al­lels I detect between the way I inter­act with my cre­ativ­ity and the effect of addic­tive drugs (as I have read, any­way. I’ve never taken any, unless you count xanax.)

Acts of cre­ativ­ity bring on an emo­tional and energy high while I am in the act, but after the work is done, that high dis­solves rapidly and often becomes a full on energy crash. Novelists call it the post-​​book blues, I think? I get the post-​​Flickr upload blues. I won­der if chem­i­cally, the act of cre­ation oper­ates in a sim­i­lar effect–or is it really just the zen state that we enter when we act with­out thought, when we are in the “zone” that has the high/​crash/​addictive prop­er­ties. It’s a bit of a chicken-​​or-​​egg prob­lem in that context.

I find that the best way to keep from crash­ing after a project is to roll imme­di­ately into a new one. Finish a pho­to­shoot, process it, upload it, bask in the awe­some com­ments of my blog read­ers, and at least do 20–30 min­utes on the next thing. The bask­ing part, the pos­i­tive feed­back, is part of the addic­tive­ness as well, and the part I don’t man­age as well. It stretches out the high, I think, and car­ries the good feel­ings from the cre­ation onward longer. After I post new pic­tures, I have a hard time leav­ing the com­puter, and not refresh­ing Flickr and check­ing my email 10 times an hour. I find myself crav­ing that injec­tion of warmth, and as it peters off, as all things do, then I get cranky and low. I’m try­ing to value feed­back a lit­tle less, but given that my self-​​esteem is tied in some ways to the exter­nal per­cep­tion of me, it’s not an easy thing to do. “Awesome image/​story/​website” are the phrases that boost my self-​​confidence more than almost any­thing else. I’m try­ing to change that, but that’s another sub­ject entirely.

Do any of you have this prob­lem of the post-​​work crash? How do you deal with it? What are your cop­ing strategies?

This, My Body” Live on EscapePod

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My story from Interzone 199, “This, My Body,” a sen­sual tale of sex, food and reli­gion, is now live on Escape Pod.

I am very, very ner­vous about lis­tener reac­tion to this one.

Sale: “This, My Body” to Escape Pod

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This, My Body”, my sexy chef story that appeared pre­vi­ously in Interzone 199, will be–I believe– fea­tured in the 150th episode of Escape Pod next week. Steve Eley totally rocks.

Man, this year just keeps get­ting bet­ter! What a fan­tas­tic pick-​​me-​​up after the work events of ear­lier this week.

Big thanks to Rachel Swirsky for encour­ag­ing me to try Escape Pod with the story!

Writing Progress, Lack Thereof and Tropes, Liked by Me

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I am utterly fail­ing to keep up the pace of writ­ing this week. No words. Not even any revi­sions. I prob­a­bly shouldn’t have bought that design book ear­lier this week. It’s great for the day job stuff, but read­ing it eats up the time and energy I should be spend­ing work­ing on my next story.

There’s this trope I am exam­in­ing right now. One of the things about sec­ond world fan­tasy that both­ers me is that it’s rarely very ambi­tious with how dif­fer­ent things are from our world. Now, before you burn me at the stake, hear me out.
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