Archive for the ‘Short Story’ Category

New Story Online: The Kansas Jayhawk vs. The Midwest Monster Squad (With Exciting Poster Illustration Action)

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Who doesn’t love giant mon­sters ter­ror­iz­ing the land?  Who doesn’t love geeks who love giant mon­sters and crack­ing wise?  If you don’t, then you can skip this story.  If you do… read on.

This is prob­a­bly one of my most pop­u­lar sci­ence fic­tion sto­ries, and for what­ever rea­son, I’ve never got around to get­ting it put online.  With the spare time I have lately to work on my skillset, I decided to do a fun poster illus­tra­tion for the story and a hope­fully easy-​​to-​​read layout.

The story orig­i­nally appeared in the May 2005 issue of Interzone, edited by Andy Cox.   It’s my first print mag­a­zine sale.

So with­out fur­ther blath­er­ing, here’s the story and the illustration:

The Kansas Jayhawk vs. The Midwest Monster Squad by Jeremiah Tolbert.

Fantasy Magazine: The Men Burned All The Boats by Patricia Russo

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I haven’t been read­ing much short fic­tion lately, but I am sub­scribed to the Fantasy Magazine feed.  I saw the open­ing of this story and the words drew me in.  I had to read it, even so early.

The men burned all the boats, so it is impos­si­ble to leave the island now. Everyone cheered when the pyres were lit. The danc­ing went on for three days, as if for a wed­ding. The men chanted, We are fear­less! Let our ene­mies attack us now. We will slaugh­ter them, and take their boats as war prizes. And if the sea folk come against us, we will crush them, too. Our magic is so strong we will pur­sue those cold ones under the waves, torches blaz­ing. We will burn out their black eyes, tear their sil­ver flesh to strips, and lick up their pale blood. We are mighty. We are invincible.

via Fantasy Magazine » The Men Burned All The Boats.

Patricia Russo is another Fortean Bureau alum.  It makes me so happy to see a new story by her, and one that is so great.  I highly rec­om­mend you give it a read.

First Story of 2009: Engines of Survival, by Larissa Kelly

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At least, the first one I have read.  My goal is to read at least one a week now that I am writ­ing again.  My think­ing is

Strange Horizons Fiction: Engines of Survival, by Larissa Kelly.

It’s always the lit­tle things in the future that are the hard­est to adjust to. You’ll be walk­ing in the park after mak­ing your deliv­ery, tak­ing amused note of the robot nan­nies and the teenagers rac­ing in their jet har­nesses, soak­ing in the expected nov­elty of the scene. And then all at once, you real­ize that the young man on the path ahead isn’t walk­ing a small dog, as you had orig­i­nally thought, but a raccoon.

Cryptic cap­sule review: like an acci­den­tal brush of an attrac­tive stranger’s hand across your own in a crowded space.

Speaking of short fic­tion, I miss Nick Mamatas over at Clarkesworld.  Damn you Viz!

Cat Rambo’s “Events at Fort Plentitude”

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Weird Tales Jan/​Feb 2008 Issue

I haven’t fin­ished the issue by any means (I read ridicu­lously lit­tle right now.  It’s a com­bi­na­tion of the impend­ing move and hav­ing too much work to do), but I wanted to rec­om­mend this story, “Events at Fort Plenitude.”  The only com­plaint I have about it was that it wasn’t novella length.  The set­ting is a weird American West, includ­ing native tribes and harsh, starv­ing win­ters.  It has buf­falo! But also demons in the magic, and roy­alty in the polit­i­cal struc­ture.  It hints at some larger place, one that I would very much like to revisit.  Call me a coun­try rube, but I am a sucker for fan­tasy obvi­ously set in the Midwest. Also for sto­ries told in the diary for­mat.  Cat’s a fine writer, and I doubt this is any­where near her best story, just because of how good she writes, but I enjoyed it for the above rea­sons.  If you like those sorts of things, then you should read it too.

Recommended Reading: The Wreck of the Grampus by Jeremy Adam Smith

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Lone Star Stories — The Wreck of the Grampus by Jeremy Adam Smith

Do you under­stand the story, you machine? If there is an intrin­sic design to the uni­verse, human­ity has not been able to find it. We must make our own, and so are most fully human when in sit­u­a­tions that are wholly artificial.”

Picking some­thing from this story to quote was not easy. This is one of the best, if not the best sci­ence fic­tion story I have read this year. It has senswunda note after senswunda note–a ver­i­ta­ble senswunda orches­tra. It has robots and deep philo­soph­i­cal ques­tions and giant under­sea crea­tures. Believable human char­ac­ters, deeply human in their ways, and some deeply strange. This is a future that does not leave me cold like many post-​​singularity sto­ries do, which are so com­mon these days. In those sto­ries, you can almost feel the sil­i­con wrapped around you. Not here. There’s so much I want to say, so many sur­pris­ing bits, but I don’t want to spoil it for anyone.

I think it’s absolutely fan­tas­tic, and the author, Jeremy Adam Smith, and Eric Marin, the edi­tor and pub­lisher, should have as many kudos I can throw at them. This is damned good sci­ence fic­tion. Read it. Let me know what you think. Let the edi­tor and author know.

My only prob­lem is, the author’s name is Jeremy. I can’t stand that name!

Where We Live” by Daniel J. Pinney

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Strange Horizons Fiction: Where We Live, by Daniel J. Pinney

Grim, grim, grim–as I’ve come to expect from Strange Horizons lately. A future with­out hope, and yet, the char­ac­ters them­selves con­tinue to exist. This story is full of telling details. I didn’t have to read the author’s bio to know that he had lived in the Middle East. Every descrip­tive line speaks with authority.

The character’s life unfolds slowly, in a non­lin­ear fash­ion, mov­ing back and forth through time. The pro­tag­o­nist moves through life, ever for­ward, never hes­i­tat­ing, never despair­ing, despite the appar­ent end of the world around him.

The ending–I have to men­tion the ending–fucking per­fect. Absolutely god damned per­fect. The scene before it, even more so. I don’t want to spoil it for any­one who might read it, and if you read this, go read it.

It builds slow, sets the stage, fleshes it out, piece at a time. It’s hor­rific, and beau­ti­ful. And hope­ful. Did I say that?

More, more of this, please. Daniel J. Pinney is going on my “to watch” list, you can bet on that.

We Love Deena” by Alice Sola Kim

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Strange Horizons Fiction: We Love Deena, by Alice Sola Kim, illus­tra­tion by Hellen JoIt’s the clas­sic tale of love lost, obses­sive love. Girl meet edgy girl, who kills peo­ple pro­fes­sion­ally for the gov­ern­ment. Girl loses edgy girl. Girl pos­sesses half the other women on the planet attempt­ing to seduce edgy girl once more. Haven’t we read this one a mil­lion times before?

Well, no, actu­ally. This is actu­ally pretty good. The pro­tag­o­nist is believ­able, even sym­pa­thetic in her stalker ways. The story moves along at a very nice clip, and it ends in the only way it could. I’ve never heard of Alice Sola Kim before, but I will be look­ing for­ward to more.

Still have that death obses­sion going a lit­tle, Strange Horizons. This story was perky, but still kinda dark and twisted like every­thing else lately.

Art Is About the Lonliness of Sentience, Especially SF

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f you haven’t read it already, I rec­om­mend you go check out Jetse de Vries’ story in Clarkeworld today, “Qubit Conflicts.” I am kind of spoil­ing part of it here in this post, so if you are against that kind of thing, go read the story and then come back here.Interesting, wasn’t it? I like the uncon­ven­tional sto­ries, that take risks with not hav­ing con­ven­tional char­ac­ters and sto­ry­lines. I can’t write them, but I love read­ing them. Anyway, the end­ing of this story, I think, could be read as an inter­est­ing response to some of the ideas of Mundane SF. And it gets to some­thing that I am only just now pick­ing up on, which is maybe what pur­pose art serves and why we cre­ate art at all.

The end of the story has this super intel­li­gent sin­gu­lar­ity AI remark­ing on how maybe it was a mis­take to set a think­ing pace so fast (Planck speed), and ulti­mately how lonely it is, wait­ing for aliens to con­tact it. And it got me think­ing about some­thing I read recently, a quote of the late great Kurt Vonnegut, about how every being needs to be reminded that they are not alone, that there are oth­ers like them out there.

I think there’s some­thing inher­ent about the nature of our sen­tience that brings along a cer­tain lone­li­ness. I can’t quite put my fin­ger on why being able to think and being self-​​aware means that we pine for the minds of oth­ers, to know them, but we do. Maybe it’s a side effect of being the evo­lu­tion­ary end prod­uct of a social species. Maybe a sen­tient soli­tary preda­tor wouldn’t have this prob­lem, and it’s only a pecu­liar side effect of our own sen­tience. But any sen­tient cre­ations of ours will have this prob­lem, as Jetse seems to con­vey. I think I agree with that. Their intel­li­gence, while arti­fi­cial, will be mod­eled after ours. And we def­i­nitely seem to be lonely, every one of us, and I think we cre­ate and con­sume art because it soothes that fear that we’re alone. We get to, through a com­plex invented sys­tem thou­sands of years in the mak­ing, enter the mind of another being. No mat­ter what the nar­ra­tive is, there is that, in the back­ground, that comfort.

And SF takes that them and makes it explicit in tales of the extrater­res­trial. Fantasy does the same thing. Honestly, I don’t find SF/​F that com­pletely rules out the idea of the Other Mind very sat­is­fy­ing. It can be com­pelling and enter­tain­ing, but aliens and elves and all of it, they are a salve that we have invented to soothe a pain of which we’re barely aware.

Oh no. What if our species is the Emo Kid of the Galactic Lunchroom?