Archive for the ‘creativity’ Category

A New Blog Project: Project Game Writer

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After attend­ing the Game Developer’s Conference Writer Summit in Austin a cou­ple of weeks ago, I have been increas­ingly deter­mined to make a slow career shift from web-​​related work to the video game indus­try and writ­ing.  I’m not going to stop build­ing web­sites yet.  But I want to start writ­ing in the field.

I’ve been think­ing about the pluses and minuses for myself, and I’ve made some lists to exam­ine my interest.4

First, why do I think I could break into the video game indus­try as a writer and be good at it?

  • I have a proven track record as a writer with my short story mate­ri­als, as well as the Dr. Roundbottom project.
  • As a web designer, I’m used to work­ing cre­atively in a col­lab­o­ra­tive envi­ron­ment.   The tran­si­tion to being part of a team in writ­ing will be an easy one for me.  I will be your word monkey.
  • I have expe­ri­ence writ­ing for voice act­ing and direct­ing voice actors both through Escape Pod and Dr. Roundbottom.
  • I am tech­ni­cally skilled and can write code, so when it comes to hook­ing dia­logue up to a game with in-​​house edit­ing tools, I can pick that up quite quickly and eas­ily.  I built sev­eral mod­ules for my own enter­tain­ment with the Neverwinter Nights tool set, so I’ve already had some expe­ri­ence here.
  • My writ­ing often has a strong sense of voice, which is impor­tant for many types of game writing.
  • I love video games, and games of all sorts.

And why do I even want to break into the video games indus­try as a writer?

  • I enjoy work­ing col­lab­o­ra­tively with oth­ers on larger projects.
  • The pay per word is gen­er­ally much bet­ter than straight fic­tion writing.
  • The audi­ence is there.  Top games sell mil­lions of copies.  I’m not going to be able to play in front of an audi­ence that size with short fiction.
  • I love writing.
  • I love video games, and games of all sorts.

But there are some poten­tial down­sides to the video game indus­try for me:

  • Long crunch hours could sap my will to live if I’m not pre­pared for them.
  • The pay may be more than fic­tion writ­ing, but it seems often less than web design (at least at this stage).
  • Am I really pre­pared to write My Gorgeous Pony: The Magical Adventures II?
  • Not entirely sure I have the full range of writ­ing tal­ents to make it.  I need to learn how well I can switch gen­res to gen­res that I don’t nor­mally write for.

With all that in mind, I’ve pur­chased a cou­ple of books on the indus­try, and they include chap­ter exer­cises.  As part of my process of explo­ration, I’m going to post the exer­cises and my attempts at them.  I plan to do 2 chap­ters of the Professional Techniques for Video Game Writing book a week, but I may shrink some of the projects in size or skip the larger ones that would take a con­sid­er­able amount of time. You’re all wel­come to play along at home with your own copies, and com­ment on what I do.     Or you can just ignore it entirely–that’s cool too.

At the very least, I hope you’ll keep me work­ing on it and poke me if I don’t keep on the project.  Wish me luck.  I’m going to need some of it in addi­tion to tal­ents I’ve yet to develop.  But it’s an excit­ing prospect, and one I look for­ward to exploring.

My Fiction and Talk Show Podcast Appearances This Week

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Did you know that I some­times appear on pod­casts?  Check me out, I’m on the internets!

This week’s Sofanauts fea­tures Tony C. Smith (the Sherlock to my Moriarty),  Matthew Sanborn Smith (the hairy mango to my kumquat), and myself (the toad to my wet sprocket).   We wish Joe Haldeman well, dis­cuss the ridicu­lous­ness that was the Highlander fran­chise, learn that Tony doesn’t know who Ralph Nader is, and I tem­porar­ily put Ray Bradbury in the same cat­e­gory as Shakespeare.

Then we have some of my fic­tion over at the fan­tas­ti­cally weird Drabblecast.  Norm has pro­duced one of my ear­li­est sto­ries,  “Storm Comes A’Callin,” and turned out a piece with music and singing that only he could do in the genre pod­cast­ing world. If you like the blues or thun­der­storms, this is the pod­cast for you.  Or if you just like absolutely amaz­ing pod­cast pro­duc­tion.  Seriously, you have got to lis­ten to this.

In other news, the job in Vermont didn’t work out, so I con­tinue my quest to be the most badass genre-​​related web designer I can. By night, writ­ing up a storm of short sto­ries, and feel­ing like I’m really start­ing to get it.  I’m also tak­ing seri­ous steps towards get­ting involved in writ­ing for video games, after sev­eral years of think­ing about it and never both­er­ing to learn a thing about how the field works.

Finally, fall is hit­ting, which means the elk rut is upon us.  I’m think­ing a 4 AM drive to Estes Park on Monday is called for, cam­era gear at the ready.  I haven’t put my new cam­era bag to a field test yet.  Bull elk beat­ing the crap out of one another should do nicely.  If all goes well, expect to see some fan­tas­tic pho­tos next week.

Two New SF/​F Client Projects Live

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Two projects have gone live to the pub­lic this week.  Let’s break them down shall we?

Rocket Kapre

Rocket Kapre is a web­site ded­i­cated to  fan­tas­tic Filipino fic­tion.  I was approached by the client Paolo Chikiamco a cou­ple of months ago with a tight time­line.  We started with a pre-​​built theme and worked our way from there, cus­tomiz­ing as nec­es­sary (and cus­tomize we did).  I mod­i­fied the slider and many other lay­out aspects sig­nif­i­cantly.  I also rolled out quite a bit of cus­tom tem­plate work using the Flutter CMS tool.  Any place where I wanted to add new con­tent areas to be filled out, cus­tom images, etc, I used Flutter to do that.  We have cus­tom write pan­els for the Books and the Authors entries for exam­ple.  I learned a lot about build­ing a theme set­ting page by work­ing with this theme as well.  Also, I really became a fan of the AZIndex plu­gin based on the work on this site, and have used it twice since on other sites.   I owe those guys a donation.

Fantasy Magazine

Recently, I was brought on board as the reg­u­lar web guy to imple­ment a bunch of changes over at Fantasy.   I look for­ward to work­ing with edi­tor Cat Rambo on improv­ing things through­out the year.  Our imme­di­ate goal was to redesign the exist­ing theme in a way that unclut­tered the home page con­sid­er­ably and added room for some adver­tis­ing.  I devel­oped the fea­tured con­tent slider and I built on the tabbed inter­face from the last site design by adding some accor­dion work as well.  Anywhere I could open up con­tent to the edi­tors, I did so using cus­tom page calls and the like.  For instance, the mast­head infor­ma­tion on the About tab is a page that can be edited and mod­i­fied on the back end now.   In gen­eral, I did a lot of code base clean­ing up for my own under­stand­ing.  There are a cou­ple of cus­tom plu­g­ins at work on the site thanks to Matt Kressel that proved very use­ful.    Coming up will be a much more com­plex user sys­tem allow­ing user pro­files with all kinds of fun cus­tom fields. I just need to get the box upgraded to PHP 5 for that work.  Some cool fea­tures com­ing down the pipe there.

So those are just a cou­ple of the projects I’ve been putting the fin­ish­ing touches on lately.  I’ve mostly fin­ished up at least one other site that won’t launch for quite a while.  And I’ve got a cou­ple new ones to get to work on, and some sub­con­tract­ing work lin­ing up as well.

Clockpunk Studios is doing pretty good these days!  Turns out that mas­ter­ing the WordPress tem­plate sys­tem has been a good career move.

Case Study: The Five Worlds Website

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…the Academy was founded to detail the story of how Fremont’s Children directed the out­come of the Making War. This is the incred­i­ble and unlikely story of how a brother and a sis­ter, and other young heroes, cre­ated the bal­anced forces that drive us today. Although this is a tale of our past, it is still a story in the mak­ing. We uncover new bits of infor­ma­tion reg­u­larly. We invite you to drop in from time to time to see it.

Brenda Cooper, co-​​author of Harlequin’s Moon with Larry Niven, con­tacted me a cou­ple of months back, inter­ested in how I might help pub­li­cize the release of the third book in her series, The Wings of Creation. I jumped at the chance to get involved.

nwlogo.png

The first thing I did was tackle the books. In this series, Brenda has built a strong cast of young char­ac­ters and an inter­est­ing set­ting that is both rec­og­niz­able and alien at the same time. They’re good “all ages” sci­ence fic­tion, and I really enjoyed them.

From read­ing the books, I sug­gested devel­op­ing a web­site for the series as if the site was the dig­i­tal pres­ence of an actual insti­tu­tion in the world. The web­site would pro­vide sam­ples of the books for read­ing, and an ency­clo­pe­dia of information–a kind of reader’s guide, if you will.

The Academy of New World Historians is the orga­ni­za­tion respon­si­ble for assem­bling the his­tor­i­cal texts that make up Brenda’s series. Each book opens with excerpts of inter­views con­ducted by these his­to­ri­ans. The goal of the web­site is to share their pub­li­ca­tions with the rest of the Five Worlds.

The site is built on a WordPress frame­work, using a cus­tom theme. It’s fairly straight­for­ward in design and con­struc­tion to reflect a cul­ture that val­ues sim­plic­ity and usabil­ity in inter­faces. The design uses some jQuery effects here and there for some pizazz–I was really inter­ested in try­ing out the “expanded nav­i­ga­tion” method that I’ve imple­mented on the home page. You can hover over the sec­tion titles and see addi­tional infor­ma­tion for the sec­tion, such as links to spe­cific topics.

Overall, Brenda has been a joy to work with. I hope you will all check out the site and her books. They’re good stuff, and I would rec­om­mend them even if Brenda were not a client.

Recommended Viewing: The Sleep Dealer

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I have often thought that the future of sci­ence fic­tion isn’t in tales of first world nations like the United States. The future sto­ries we should be explor­ing and con­tem­plat­ing more are the ones involv­ing (and told by res­i­dents of) life on the fringes, in the fave­las and the bor­der towns, in the devel­op­ing world, where raw human­ity bumps up against the shiny and anti­sep­tic American cap­i­tal­ist way.

Most do not live the lives of rel­a­tive lux­ury we do, but one of the promises of glob­al­ism has been said to be an ele­va­tion of those who are in poverty. Will those liv­ing in Brazil, Mexico, Kenya, or China one day know lives with bet­ter amenities,health care, and basic nutri­tion? Or will the same web of post-​​colonialism, transna­tional bank­ing deal­ing from decks stacked against the poor, and cor­rupt gov­ern­ment regimes keep third world coun­tries rooted in poverty?

The Sleep Dealer is an exam­i­na­tion of American glob­al­iza­tion as it impacts our lives today, where resent­ment to ille­gal immi­gra­tion in America is as high as it ever has been, but where there are still jobs to be had for those who brave the cross­ing (at least, prior to our eco­nomic woes). The world of the Sleep Dealer is not so dif­fer­ent from our own, except in a few very impor­tant ways.

The United States of the sleep dealer is mostly seen indi­rectly, through the lenses of telep­res­ence drones, or in the cramped con­fines of vir­tual oper­a­tor sta­tions where sol­diers pilot drones to pro­tect cor­po­ra­tized water in places like Mexico. America appears to be sealed off com­pletely to immi­gra­tion, at least from Mexico. A wall has been built, and it’s guarded by remote-​​controlled cam­eras with heavy machine guns. A future that seemed much less implau­si­ble 2 years ago when the anti-​​immigration sen­ti­ment seemed to reach its peak.

The U.S. of this future still requires cheap labor, even if it can­not abide the phys­i­cal pres­ence of immi­grants, legal or oth­er­wise. In this near future, vir­tual real­ity tech­nol­ogy, por­trayed in a way that would fit in with any cyber­punk novel (a series of plugs along the arms and shoul­ders that allow a kind of neural inter­face), allows the poor to work within the States. It’s best not to think too hard about the por­trayal of the equip­ment here, which seems more tai­lored toward a par­tic­u­lar visual aes­thetic than mak­ing log­i­cal sense. What was with the gas masks pip­ing in oxy­gen? Nevertheless–

The back­drop of the world in the Sleep Dealer feels lived in, well worn, and not implau­si­ble. Our pro­tag­o­nist is an intel­li­gent young man with an inter­est in escap­ing his tiny, water-​​impoverished farm­stead. He tin­kers with hack­ing telecom­mu­ni­ca­tions satel­lites as a means of escape, but soon he over­hears some­thing that he should not, and the events of the story are set into motion.

In the after­math of a tragedy, Memo (a very Gibsonian name, I thought) trav­els to Tijuana to receive the implants that will allow him to work in the vir­tual labor fac­to­ries. He meets a woman, a writer who sells her mem­o­ries uploaded to the net­work, who takes an inter­est in his painful past and whose sto­ries about Memo are funded by a mys­te­ri­ous buyer.

I’ll say no more about the plot, except to say that while this is a sci­ence fic­tion film, it is also an inde­pen­dent film in that sense that it is not the tightly shot, leave-​​nothing-​​unanswered big stu­dio style of sto­ry­telling. The cin­e­matog­ra­phy is often dream­like, and the story’s gen­tle nar­ra­tion rein­force this. The story in some ways feels like a character’s lucid dream.

It’s a con­tem­pla­tive film in its pac­ing as well. Those expect­ing a tightly plot­ted thriller or action film should look else­where. This is a film that is more inter­ested in let­ting the audi­ence come to its own con­clu­sions than lec­tur­ing morally (or otherwise).

This was some­thing dif­fer­ent than what we are used to see­ing. While some of its ideas may not seem so fresh to long-​​time read­ers of sci­ence fic­tion, I don’t think this is some­thing we’ve ever seen por­trayed this way on the sil­ver screen. It’s worth pick­ing up on DVD or rent­ing at the very least.

Would you like to host Escape Pod?

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Hello, every­one.  I’m look­ing for peo­ple who are inter­ested in guest host­ing the occa­sional episode of Escape Pod.  As any reg­u­lar lis­ten­ers have heard, Steve’s time is mostly ded­i­cated to his day job right now, and while we have Norm com­ing on as a reg­u­lar cohost, he’s not going to be able to do it weekly.  I’m hop­ing to build a pool of peo­ple who are inter­ested in record­ing intro/​outro pieces.

I would pre­fer to use peo­ple who have worked with pod­cast­ing before and have an ear for good sound qual­ity. Bonus points to any­one with a mic that isn’t a stan­dard crappy PC mic.

I can’t pay any­one, but I can give you the free reign to plug your own projects as part of your guest host spot.

Drop me an email or a com­ment if you’re interested.

(This also goes for folks inter­ested in nar­rat­ing sto­ries.  I’m always look­ing for more tal­ented narrators).

Why WordPress is the Perfect Platform For Author Sites

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I get a lot of requests for help with WordPress lately (which I am happy to answer), and I’m mak­ing a good chunk of my money through my knowl­edge of the con­tent man­age­ment sys­tem.  I thought today I’d give you some back­ground on why I’ve made WordPress my go-​​to plat­form when design­ing author websites.

Broad Support and User Base

WordPress has one of the largest user bases of any con­tent man­age­ment sys­tem.  Why is this a good thing?  Well, it means that there’s a lot of com­mu­nity sup­port.  It means that if there’s a fea­ture you want, there’s a good chance some­one has already devel­oped it as a plug-​​in (there are tens of thou­sands of plug-​​ins for WordPress).  If you run into a bug or other prob­lem, there’s a good chance that you can find some­one else who has already expe­ri­enced this prob­lem with a Google Search.  This all trans­lates into fewer hours and more fea­tures for your author web­site.  You get more for less.

What this also means is that rather than hav­ing to go out and buy expen­sive books to learn how to design WordPress sites, I have been able to learn every­thing I know from read­ing online.  So I have less up-​​front invest­ment (although still quite a bit of invest­ment in mas­ter­ing parts of it). Those sav­ings get passed on to clients, ultimately.

Great Back-​​end Usability

The back-​​end of a site is the part that only the site author sees.  It’s where you go to man­age your con­tent, write new blog posts, and so on.  Because your read­ers never see this part of your soft­ware, you might be tempted to be sat­is­fied with any old thing–that is, if you’re already a com­puter expert, and don’t have any trou­ble learn­ing new inter­faces.  Not all inter­faces are cre­ated equal.  Now, WordPress hasn’t always had a nice, user-​​friendly back-​​end, but these days, it’s quite sim­ple and beau­ti­ful.  I enjoy spend­ing time inside of the WordPress soft­ware, con­fig­ur­ing things, and a good por­tion of my enjoy­ment is due to that.

And chances are, you’ve already used WordPress.  A lot of authors have already used sites like WordPress​.com to set up blogs in the past.  So this means you spend less time learn­ing an inter­face, and more time work­ing on your writing.

Power Theme System

WordPress allows you to con­fig­ure and lay out your site any way you want, and it does it through a straight­for­ward theme engine with well doc­u­mented tem­plate tags.   Through a com­bi­na­tion of plu­g­ins, theme writ­ing, HTML, CSS, and judi­cious JavaScript, there hasn’t been a design con­cept I have come across that can’t be imple­mented in some fash­ion with the sys­tem.  And using a good blank theme as a start­ing base, you can have a theme up and run­ning from an HTML pro­to­type very quickly.  You dream it up, and I build it.  It’s as easy as that.

A CMS, Not Just a Blog

Some peo­ple make the mis­take of think­ing that WordPress is just for blogs.  That’s only a small part of what WordPress can do these days.  With a few basic plu­g­ins, you can build just about any kind of Content Management System fea­ture you might want.  And most impor­tantly to authors, it gives you a user-​​friendly way of man­ag­ing and edit­ing that con­tent.   Rather than hav­ing to spend money down the road pay­ing your web­mas­ter to update your site, you can do it your­self through the back-​​end.  It’s a win-​​win for you and your webmaster.

Conclusion

So those are just a few of the rea­sons I use WordPress.  I was very hes­i­tant to adopt it early on because I had read a lot of neg­a­tives, but each one of those neg­a­tives has been addressed by the devel­op­ment team.  Eventually, it made less sense to stick with an old warhorse like Movable Type and to move on and work with the younger, more dynamic WordPress.  Since I made the move, I haven’t looked back.

If you are an author, pub­lisher, or small busi­ness look­ing for a site built on WordPress, don’t hes­i­tate to con­tact me via Clockpunk Studios, my design com­pany.  I am avail­able to take new work on start­ing in early September.    I have a wide range of prices I can offer you, to fit many bud­gets.  We can build your dream site, or we can get you started with some­thing basic at your own domain very quickly, and add to that later.  So don’t assume you can’t afford it.  You might be sur­prised how cheaply you can get up and run­ning with your own WordPress-​​backed site.

Be a Positive Force in Fandom, Not an Asshole

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If there was one thing that drew me in par­tic­u­lar to genre fan­dom as a whole, it was the bound­less and unashamed enthu­si­asm that genre fans had.  Fans loved things, and their pas­sion was worn on their sleeves.  They weren’t ashamed to like sci­ence fic­tion in gen­eral, or, say, Star Trek in par­tic­u­lar, despite there con­sid­er­able soci­etal dis­aproval of such things.  My nerdy ways got me made fun of as much as my big ears, grow­ing up.

Today, with Generation X and Y in full force, there’s been a bit of a shift, I think.  Sarcasm is some­thing our gen­er­a­tions prize, as well as a well-​​cultured sense of irony.  But what’s worse, when com­bined with those things, is a cer­tain odd form of self-​​awareness that leads to what I’d like to talk about:

It’s cooler to dis­like some­thing than it is to like some­thing today.  It’s more cul­tur­ally accept­able in my peer groups, par­tic­u­larly online, to express dis­ap­proval of some­thing than it is to express enthusiasm.

I’m not against crit­i­cism.  It’s only by being crit­i­cal of art forms that we under­stand them and learn to improve them.  Thoughtful crit­i­cism is a great thing.  So let’s take that off the table of what I’m talk­ing about.  I’m going to talk about how we express our dis­like of things, why, and when we do it.

First of all, I think it’s an unde­ni­able trend that being enthu­si­as­tic for some­thing is much less of a draw of atten­tion than being highly crit­i­cal of some­thing, par­tic­u­larly online.  If I write a blog post that is crit­i­cal of a pop­u­lar movie, it receives at least twice as many views as if I wrote a glow­ing rec­om­men­da­tion.  It’ll receive twice as many com­ments too, and often, what com­ments the glow­ing rec­om­men­da­tion receives are argu­ments against the opin­ion.  There are a lot of rea­sons for this, but in gen­eral, I’d like to see us change it in our cor­ner of the web.

I used to be a reg­u­lar on the blog Metafilter.  We called a cer­tain phe­nom­e­non  “your favorite band sucks.”  Whenever any­one expressed an appre­ci­a­tion or an author or a band, five peo­ple came along to crit­i­cize the author or band.  Here’s where we come to my first rule of the pos­i­tive fan.

Every expres­sion of appre­ci­a­tion online is not an oppor­tu­nity for you to voice your disapproval.

It’s fine for you not to like some­thing.  But every time some­one else says they like some­thing that you don’t is not the best time for you to piss in the corn­flakes of inter­net com­ment­ing.  Every dis­cus­sion is not a debate on the mer­its and demer­its of some­thing.  In fact, let’s put this out there in plain terms: every dis­cus­sion online does not have to be and should not be “fair and bal­anced.”  Know your audi­ence, and know the scene you’re in–will they appre­ci­ate your per­spec­tive, or will they think you’re just being an asshole?

Which brings me to my next point:

Don’t be an ass­hole. Remember: every­thing you crit­i­cize is the hard work of a human being with feelings.

Don’t assume that the cre­ator of what you are trash­ing won’t read it.  It’s the inter­net.  We’re all super­nat­ural beings that can be sum­moned by the use of our name thanks to Google.  Don’t be an ass­hole, and don’t resort to ad hominem attacks.  Be crit­i­cal of the work, and not the cre­ator.  Every cre­ative act should be encour­aged, even if you con­sider it a fail­ure.  All art is a learn­ing process.

If you must be crit­i­cal, be specific.

So you have a burn­ing desire to share your dis­ap­proval of some­thing and you just can’t be stopped.  Fine.  Leave your crit­i­cal remark, but here are crit­cial remarks that do noth­ing but hurt people:

It sucked.”

Don’t quit your day job”

I want my [PERIOD OF TIME SPENT] back.”

Who likes this shit?”

Do you see the trend here?  We’ve all seen these com­ments.  Most of us have prob­a­bly left them at some point.    What’s miss­ing here is sub­stance.

You owe your fel­low humans to be spe­cific in your crit­i­cism. It’s in everyone’s best inter­ests for a cre­ator to improve, and they can’t use your feed­back to do that if it doesn’t have any substance.

I assume part of the point of the urge to share our strong dis­like of some­thing online, besides the weird Gen-​​Y/​X need to feel cool via dis­parag­ing things, is that we can’t stand the idea that some­one does like it, and we want to explain to them why their enthu­si­asm is mis­placed.  We’re not going to do that with vague gen­er­al­i­ties. Be spe­cific, and be polite. Consider shar­ing our enthu­si­asm for some­thing else as a coun­ter­point so oth­ers know we’re not just being an ass­hole for the sake of it.  Is it some­thing we would say to the creator’s face, in per­son, while they ball their fists and start to turn red?  No?  Dial down the venom, and remember:

All opin­ions are not equal.  But if you think yours really mat­ters most, you’re prob­a­bly wrong.

Most peo­ple just aren’t going to really care what your opin­ion of some­thing is, unless they know you.  If you’re a ran­dom stranger leav­ing feed­back on a blog, don’t expect your com­ment to hold any spe­cial weight with the other read­ers or the com­menters.  Don’t get increas­ingly angry when peo­ple aren’t swayed to your antag­o­nis­tic point of view.  Silently mark these peo­ple off as morons like you do to every human being you dis­ap­prove of, and move on.

Moving on to the Positive Part

Thus far, I’ve really focused on the neg­a­tive, because I know that’s what is going to get the most atten­tion.  Now that I have it, let’s talk about how we can reverse the trend a lit­tle.  As a group, work­ing together with a com­mon goal, I think we can lighten the tone a bit.

If you like some­thing, say so.

Positive, sup­port­ive com­ments are always far out­num­bered by the neg­a­tive ones.  We need to change this, or at least tips the scales back the other way a bit.  If you take noth­ing else away from this sanc­ti­mo­nious blog post, just lis­ten to  this part.  When you like some­thing, whether that some­thing be a story, a book, a web­site, a blog post, a pod­cast, a paint­ing, whatever–when you like some­thing, tell some­one.  You can broad­cast it on your blog or your twit­ter. That is awe­some.  Or you can go nar­row­band and leave a com­ment for the cre­ator or write an email.  Hell, you want to really make someone’s day, send them a snail mail letter.

We as an inter­net pop­u­lace have a ten­dency to be quiet when we’re approv­ing, and save our key­strokes for when we’re angry.  This is wrong, and I think we can change this.  Let’s put the enthu­si­as­tic fan back into the mix.  We can’t all hate every­thing.  Let’s see if we can aim for bring­ing the positive/​negative com­ment ratio up to 1:1.  And hey–the only thing worse than a bunch of nasty com­ments and feed­back is no feed­back at all.  Don’t assume some­one else will say some­thing.  Take the ini­tia­tive and say some­thing yourself.

For a lit­tle over a year now, I’ve been mak­ing a point of writ­ing authors and let­ting them know when I’ve really liked some­thing they’ve writ­ten.  I write peo­ple I know and writ­ers I have never met.  I’m going to start expand­ing this to other forms.  There’s no rea­son I have to save my fan­nish enthu­si­asm for the printed word.

Now, you may be a major con­sumer of media, and you might be won­der­ing, how can I pos­si­bly send notes to the cre­ators of every­thing I con­sume? When it’s some­thing you’ve paid for, I think your money is often appre­ci­a­tion enough.  However, if it’s some­thing you’ve read online for free, and you enjoyed it, I think we should feel oblig­ated to share our pos­i­tive feed­back.  If you want peo­ple to keep doing what they’re doing, you need to say so.  Again–don’t assume some­one else will do it for you.  We should be as ener­gized to share our enthu­si­asm as our outrage.

I hope you’ll join me in this-​​I don’t want to say “move­ment,” but let’s call it a pseudo-​​philosophy.   I prob­a­bly won’t con­vince the die-​​hard ass­holes to stop being ass­holes, but hope­fully I can con­vince we quiet approvers to speak up more often. I know I’m not per­fect, that I’ve been the ass­hole, but I’m mak­ing a con­certed effort not to be in the future.

I’m sure there are a lot of crit­i­cisms of this post you can make, and you’re wel­come to do so in the com­ments.  Please fol­low the rules above.  Consider this my new com­ment mod­er­a­tion pol­icy on my blog.  I hope I don’t have to enforce it.

To Rewrite or Not to Rewrite? That is the Flowchart.

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I recently received a rewrite request for a story I had sub­mit­ted.  Over my time as a writer, I’ve received rewrite requests that I’ve accepted, and rewrite requests I have turned down–for a lot of dif­fer­ent rea­sons.  I real­ized that my think­ing that goes into the deci­sion of whether or not to do so is some­what com­plex, and I got to won­der­ing if it was some­thing that a flow­chart could describe.  After a lit­tle bit of play­ing around this morn­ing, I have cre­ated just such a flowchart.

rewriteflowchart

Click on the thumb­nail image to view the full size chart.  Did I miss any steps that you would have con­sid­ered?  Do you think I am insane for draw­ing up a flow­chart for some­thing like this?  Share your thoughts in the comments.


Writing: Your Subconscious and You

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I have a very rocky rela­tion­ship with my subconscious.

On the one hand, my sub­con­scious is the font of my best ideas.  Even when I writ­ing some­thing that has come mostly from ego-​​brain think­ing, it inserts cool things, catches ideas that I missed the first time around.  It’s some­times like hav­ing a bet­ter writer sit­ting on your shoul­der catch­ing your missed opportunities.

On the other hand,  my subconscious’s inter­ests are not always mar­ketable inter­ests.  My sub­con­scious feeds me sto­ries about Kansas about once a week.  The state needs to start writ­ing me checks for the PR.  Lord knows they need a pos­i­tive face what with all the wackos that pop­u­late my home state.  So I write a lot of sto­ries about Kansas or set in Kansas. I’ve yet to find a mar­ket for that stuff, and I doubt any­one wants to read about it.  And yet my sub­con­scious per­sists.  I’m wrestling with Potatohead (that’s what I call my sub­con­scious) right now about a story that involves mole men and Kansas.    Excited to read that one? Yeah, didn’t think so. I keep telling him, we need postsin­gu­lar­ity sto­ries that use the entire galaxy as their set­ting.  We need fan­tasy sto­ries that take place in the New York sub­way sys­tem.  What does he feed me?   A story about a woman whose abu­sive dead hus­band comes back made out of pota­toes after being buried int he garden.

Yeah, I actu­ally wrote that one.  The rejec­tion Nick gave it at Clarkesworld was enough to put me off writ­ing for a year.  Not one you’ll prob­a­bly ever read. There are a lot of these.

On rare occa­sions, one of us presents an  idea that the other finds just as fas­ci­nat­ing.  My story “The Yeti Behind Me”  is a good exam­ple.  The idea of ghosts of extinct ani­mals popped up in con­ver­sa­tion.  I felt the indi­ca­tion of Potatohead’s inter­est in the form of an explo­sion just behind my right eye.  Potatohead is not sub­tle.   But if we agree on some­thing straight away, I know it’s got legs.

Problem has been, lately, I have stopped trust­ing Potatohead.  He’s fix­ated on the same things much of the time.  He’s not giv­ing me ideas that I can get excited about.  And vice versa.  I spend all day think­ing of story ideas and ask­ing “Hey, Potatohead, what do you think of this one?”  His response is gen­er­ally a resound­ing “meh.”

I feel like the two parts of my brain are at war lately  Each one knows some­thing use­ful about writ­ing, but they are not agree­ing on things nearly often enough for me to feel like I’m mov­ing for­ward with my “career.”  I can write sto­ries based pri­mar­ily on the input of one half, but those sto­ries are flat, and aren’t going to take me anywhere.

There’s one other, unre­lated thing about Potatohead that ticks me off.  When I’m asleep, peo­ple can talk directly to Potatohead.  I have had long and var­ied con­ver­sa­tions in my sleep that I con­ciously have no rec­ol­lec­tion of.  The thing that gets me into trou­ble is, Potatohead doesn’t know that I/​we are married.

Sarah has come to bed late on sev­eral occa­sions, only to see me shoot upright in bed and demand “Who is that?”

It’s me,” she says.

Me WHO?” Potatohead asks.

Sarah,” she says, begin­ning to be a bit more exasperated.

Sarah WHO?”

And that’s the last straw.  “Your WIFE,” she snaps.  “Go back to sleep.”

Oh.  Okay,” says Potatohead and down he goes back to where he came.  And the only indi­ca­tor I have that this con­ver­sa­tion ever hap­pened is that my wife is pissed at me all morn­ing for no appar­ent reason.

How does one force his or her two minds to sit down and come to some kind of ami­ca­ble agree­ment?  We have crap that needs to get worked out if we are going to con­tinue to make a career of work­ing together.  This part­ner­ship is turn­ing sour, and I need to straighten things out quickly.  I also need to get it through Potatohead’s half-​​brain that ask­ing “Sarah WHO?” is not a good thing for either of us.  If any­one has any sug­ges­tions, I’d love to hear them.