What defines Young Adult fiction?

I’ve been read­ing a lot of YA fic­tion lately.  I recently fin­ished Shipbreaker and I’m now on Behemoth. Obviously, one of the main things that iden­ti­fies a YA novel is the young adult pro­tag­o­nist.  But there seems to be some­thing else going on that doesn’t hap­pen in adult fiction.

Are prob­lems more con­crete, and less “of the mind?”  Is there more of a sense of adven­ture?  What are adult read­ers get­ting out of YA fic­tion that they’re not get­ting from more adult nov­els?   Sometimes it just feels like they’re the most fun, joy­ful books around.  Is that an illu­sion, or is it true, and why?

What do you think?  I’m really curi­ous about this as a reader and a writer.

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    4 Responses

    1. Dan Beeston says:

      Apparently it’s got to have vam­pires not hav­ing sex in it.

    2. Stormy says:

      Young peo­ple are defin­ing who they are and they are “free” and haven’t failed yet. The whole world (or uni­verse) is in front of them. They’re very positive.

      If you put an unsuc­cess­ful older adult in that same sit­u­a­tion with the same energy and enthu­si­asm, and naitiv­ity, you have a lot of explain­ing to explain how they got in that situation.

    3. I’ve been work­ing with a pub­lisher to get my novel in YA-​​shape, and here’s what I’ve gleaned:

      Not only a young adult pro­tag­o­nist but a point-​​of-​​view that remains with that pro­tag­o­nist, either in first-​​person or close third per­son. If the point-​​of-​​view does shift at all, it is to other young adult char­ac­ters, not adults.

      Coming-​​of-​​age themes — inde­pen­dence from author­ity, hav­ing to make dif­fi­cult becoming-​​an-​​adult decisions.

      Action! This has been the hard part for me, as my pro­tag­o­nist tends to, in my editor’s words, “live in her own head.” I’ve been read­ing the Pretties tril­ogy, and the relent­less action, the new threats that the pro­tag­o­nist faces, the con­stant need for her to be brave and inge­nious, is really exhilarating.

      Of course, there is a trend in “lit­er­ary” YA fic­tion (which my book fits in a bit more) of very dark themes of death and loss. But they still are books about young peo­ple hav­ing to be savvy and fig­ure things out. They’re active, even when the main con­flict is inter­nal rather than external.

    4. SMD says:

      What Jennifer said. Aside from POV, there isn’t a limit on con­tent, except that what hap­pens is reflected through a young char­ac­ter, rather than an adult. But any­thing *can* hap­pen to these char­ac­ters, whether silly (like in a quirky fan­tasy novel) or very dark and seri­ous (teen preg­nancy, rape, etc.). Just so long as we’re with a young char­ac­ter through all that, it remains YA.

      That said, you can screw up a YA novel. You can’t just write a young char­ac­ter and treat them like adults. Teenagers are close to adults, and can han­dle a lot more than we give them credit for, but they still have a lot to learn about the world around them.

      Anywho!

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