On Formulaic Writing

Besides over-​​sleeping enough to be deeply annoyed with myself, I’ve been read­ing a lot and plan­ning a novel.  I was just in a book­store for the first time since I got my iPad in order to buy a copy of Writing the Breakout Novel by Donald Maass.  I’ve read it once before, as a library check­out, but I’d for­got­ten most of what I learned. Buying the book, along with a lot of ques­tions I’ve been ask­ing on Twitter, all serve to the same goal of find­ing a crutch to help me get through the process.

I’ve started and aban­doned novel projects a cou­ple of times.  The longest thing I ever wrote was in Africa, before I even started “writ­ing” proper, and I think it came in around 40,000 words or so. I was just writ­ing to kill time at that point, and when I had very lit­tle else to do, it wasn’t too hard to man­age.  Also, I didn’t know any­thing, wasn’t aware that I didn’t know any­thing, so it was easy to do.  No pressure.

I’ve been think­ing a lot about my long term future lately.  I’m start­ing to think that there’s a chance I might live past my 40s, and I’m not con­fi­dent that I can still be per­son­ally build­ing web­sites at 50.  It’s a young man’s game, and while I hope Clockpunk Studios to be alive and well still at that point, I just know I can’t be doing this.  So I’m try­ing to plan for the future.

I’ve done a lot of soul search­ing lately and I think I would very much like to make a con­sid­er­able por­tion of my liv­ing writ­ing.  And the only way that’s going to have even a chance of hap­pen­ing is by writ­ing nov­els.  So I’m set­ting aside short sto­ries and work­ing to fig­ure out my process for novels.

Back to for­mu­las.  I know I can write. I’m com­fort­able with my base­line skill at this point.  I’ve sold enough short sto­ries to con­vince myself, yes, I know how to write at least a lit­tle.  I’m just not sure I can write any­thing so sus­tained.  So I’m look­ing for struc­tures that can help me break down a novel into sizes and bits I can under­stand, with­out turn­ing it into a series of loosely con­nected short stories.

So I’ve been col­lect­ing for­mu­las, advice, and what not, all while I fill up a word file with ideas, imagery, bits and pieces that I want to go into this first novel.  I’m try­ing not to put any pres­sure on myself.  I want the whole process to be fun, and I’m excited about the idea at the moment.

So far, I’ve collected:

I need rules to fol­low, a struc­tural guide.  At the very least so I can know what rules there are to break.  It’s a whole new ball game.  One that takes a ter­ri­fy­ingly long time to play.  But here I go anyway.

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    12 Responses

    1. Christie says:

      I bought “The Weekend Novelist” recently after hear­ing Paolo talk about it in his inter­view on Geek’s Guide. I was look­ing for much the same kind of help that you are and the TOC seems to deliver exactly that. I have two novel projects cook­ing myself right now. Good luck with yours!

    2. You’ll do fine man! Everyone’s process is dif­fer­ent so after you have researched ways to tackle the long form, just set­tle in on your own method. No mat­ter what struc­ture you decide on, the most impor­tant thing to do is not quit. Keep writ­ing. Moving for­ward all the time like a shark.

      For me, I’ve found that I need an out­line. It starts out rather thin, but as I go along, I add and sub­tract from it as nec­es­sary. I also need some kind of rou­tine. A time and place when I know I can do noth­ing but write. That is really impor­tant when you have lots of demands on your time.

      It may seem daunt­ing, but it is doable and once you get going, I think you’ll like it. I’ve writ­ten three nov­els now and with each one I get just a lit­tle bit bet­ter and it gets a lit­tle less intimidating.

      I for one, can’t wait to read what you write, so don’t let me down! ;-)

      Oh, and speak­ing as some­one well into his for­ties, it’s never too late to write!

    3. Josh English says:

      I checked out John Truby’s the Art of Storytelling, and that helped me flush out a novel idea but it landed in the 37K range. Working through it, though, I feel I have enough mate­r­ial for a full-​​length novel. An extra sub-​​plot and more world-​​building detail will make the re-​​write that much eas­ier in December.

    4. Rob says:

      I’ve done a lot of soul search­ing lately and I think I would very much like to make a con­sid­er­able por­tion of my liv­ing writ­ing. And the only way that’s going to have even a chance of hap­pen­ing is by writ­ing nov­els. So I’m set­ting aside short sto­ries and work­ing to fig­ure out my process for novels.

      That’s the same rea­son I gave up short story writ­ing. I’ll prob­a­bly still write short sto­ries, but more as a hobby and if I have the time and energy.

      And yeah, you write some pretty good stuff. Three years later and I still remem­ber a story you sent to a mag­a­zine where I was a slush reader. Your story was in present tense and I usu­ally don’t like sto­ries in present tense, but yours won me over.

      I’m the worse per­son to give writ­ing advice, but I’ve been read­ing a chap­ter of what­ever book I hap­pen to be read­ing before begin­ning each writ­ing ses­sion. I’ve been get­ting 1,000 to 2,000 words a day and I “think” the read­ing before writ­ing has a lot to do with it.

      • Jeremiah Tolbert says:

        Thanks, Rob. I won­der what story it was? What else do you remem­ber about it? I find I actu­ally write more often in present tense than any other tense, and I have to force myself to use past tense. Weird, I know.

        I like the idea of a read­ing warmup before writ­ing. That actu­ally makes sense.

    5. Rudi says:

      I agree it’s good to have a for­mula to bounce off of–even if you wan­der off, it gives you some struc­ture. And I always accu­mu­late a file of bits and ideas as I’m get­ting going on some­thing, so I’m with you there too.

      Thanks for the links, par­tic­u­larly the Moorcock–anyone who puts com­ing up with snazzy images ear­lier in the process than fig­ur­ing out what’s going to hap­pen is cer­tainly on my wavelength.

      I sec­ond Josh re. Truby–I read Art of Stroytelling last year, and thought it did a good job of giv­ing a struc­ture where things built steadily on the things you’d worked out ear­lier, mak­ing it feel a bit more organic and a bit less paint by num­bers. Also, he gen­er­ally had a good sense of acknowl­edg­ing where things will go dif­fer­ently for dif­fer­ent kinds of sto­ries, or dif­fer­ent goals you might have for the story.

      If you’re going to look at for­mu­las, it’s good that you’re look­ing at sev­eral, so you can cross-​​pollinate and franken­stein ele­ments from them into some­thing that works for you.

      Looking for­ward to see­ing what you get up to at novel length!

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