Besides over-sleeping enough to be deeply annoyed with myself, I’ve been reading a lot and planning a novel. I was just in a bookstore for the first time since I got my iPad in order to buy a copy of Writing the Breakout Novel by Donald Maass. I’ve read it once before, as a library checkout, but I’d forgotten most of what I learned. Buying the book, along with a lot of questions I’ve been asking on Twitter, all serve to the same goal of finding a crutch to help me get through the process.
I’ve started and abandoned novel projects a couple of times. The longest thing I ever wrote was in Africa, before I even started “writing” proper, and I think it came in around 40,000 words or so. I was just writing to kill time at that point, and when I had very little else to do, it wasn’t too hard to manage. Also, I didn’t know anything, wasn’t aware that I didn’t know anything, so it was easy to do. No pressure.
I’ve been thinking a lot about my long term future lately. I’m starting to think that there’s a chance I might live past my 40s, and I’m not confident that I can still be personally building websites at 50. It’s a young man’s game, and while I hope Clockpunk Studios to be alive and well still at that point, I just know I can’t be doing this. So I’m trying to plan for the future.
I’ve done a lot of soul searching lately and I think I would very much like to make a considerable portion of my living writing. And the only way that’s going to have even a chance of happening is by writing novels. So I’m setting aside short stories and working to figure out my process for novels.
Back to formulas. I know I can write. I’m comfortable with my baseline skill at this point. I’ve sold enough short stories to convince myself, yes, I know how to write at least a little. I’m just not sure I can write anything so sustained. So I’m looking for structures that can help me break down a novel into sizes and bits I can understand, without turning it into a series of loosely connected short stories.
So I’ve been collecting formulas, advice, and what not, all while I fill up a word file with ideas, imagery, bits and pieces that I want to go into this first novel. I’m trying not to put any pressure on myself. I want the whole process to be fun, and I’m excited about the idea at the moment.
So far, I’ve collected:
- Writing the Breakout Novel by Donald Maass
- Jim Butcher’s Livejournal
- How to Write a Book in Three Days
I need rules to follow, a structural guide. At the very least so I can know what rules there are to break. It’s a whole new ball game. One that takes a terrifyingly long time to play. But here I go anyway.
Tags: formula, My Writing, novels


















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New blog post: On Formulaic Writing http://www.jeremiahtolbert.com/2010/11/o…
@jeremiahtolbert Writing to a Form or a Genre? Okay, yes. Writing to a formula? No!
@DougLain I’m not being particularly precise with my language right now. I’m just looking at roadmaps, blueprints, I can use to start.
I bought “The Weekend Novelist” recently after hearing Paolo talk about it in his interview on Geek’s Guide. I was looking for much the same kind of help that you are and the TOC seems to deliver exactly that. I have two novel projects cooking myself right now. Good luck with yours!
Thanks, Good luck to you as well. I’ll have to look into Weekend Novelist.
You’ll do fine man! Everyone’s process is different so after you have researched ways to tackle the long form, just settle in on your own method. No matter what structure you decide on, the most important thing to do is not quit. Keep writing. Moving forward all the time like a shark.
For me, I’ve found that I need an outline. It starts out rather thin, but as I go along, I add and subtract from it as necessary. I also need some kind of routine. A time and place when I know I can do nothing but write. That is really important when you have lots of demands on your time.
It may seem daunting, but it is doable and once you get going, I think you’ll like it. I’ve written three novels now and with each one I get just a little bit better and it gets a little less intimidating.
I for one, can’t wait to read what you write, so don’t let me down! ;-)
Oh, and speaking as someone well into his forties, it’s never too late to write!
Thanks, Ken. That’s what I’m working on right now, really– an outline!
I checked out John Truby’s the Art of Storytelling, and that helped me flush out a novel idea but it landed in the 37K range. Working through it, though, I feel I have enough material for a full-length novel. An extra sub-plot and more world-building detail will make the re-write that much easier in December.
I’ve done a lot of soul searching lately and I think I would very much like to make a considerable portion of my living writing. And the only way that’s going to have even a chance of happening is by writing novels. So I’m setting aside short stories and working to figure out my process for novels.
That’s the same reason I gave up short story writing. I’ll probably still write short stories, but more as a hobby and if I have the time and energy.
And yeah, you write some pretty good stuff. Three years later and I still remember a story you sent to a magazine where I was a slush reader. Your story was in present tense and I usually don’t like stories in present tense, but yours won me over.
I’m the worse person to give writing advice, but I’ve been reading a chapter of whatever book I happen to be reading before beginning each writing session. I’ve been getting 1,000 to 2,000 words a day and I “think” the reading before writing has a lot to do with it.
Thanks, Rob. I wonder what story it was? What else do you remember about it? I find I actually write more often in present tense than any other tense, and I have to force myself to use past tense. Weird, I know.
I like the idea of a reading warmup before writing. That actually makes sense.
Not sure I should talk about the story here, but it was the Potato Man.
I agree it’s good to have a formula to bounce off of–even if you wander off, it gives you some structure. And I always accumulate a file of bits and ideas as I’m getting going on something, so I’m with you there too.
Thanks for the links, particularly the Moorcock–anyone who puts coming up with snazzy images earlier in the process than figuring out what’s going to happen is certainly on my wavelength.
I second Josh re. Truby–I read Art of Stroytelling last year, and thought it did a good job of giving a structure where things built steadily on the things you’d worked out earlier, making it feel a bit more organic and a bit less paint by numbers. Also, he generally had a good sense of acknowledging where things will go differently for different kinds of stories, or different goals you might have for the story.
If you’re going to look at formulas, it’s good that you’re looking at several, so you can cross-pollinate and frankenstein elements from them into something that works for you.
Looking forward to seeing what you get up to at novel length!