I’m sorry

The Fundable project from yes­ter­day is offen­sive to peo­ple.  It felt a lit­tle crass, but I’d dis­cussed the idea before and peo­ple said that they would sup­port it, so I thought I would give it a try.  I didn’t think that the idea itself would anger any­one.  I’m sorry.  I’ve can­celled it.  If I want to go to Yellowstone to shoot, I’ll see if I can sell some prints over time to pay for it instead.

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    10 Responses

    1. Josh English says:

      offen­sive? fools. People raised money to send Scalzi to the Creation Museum, after all. It wasn’t a new busi­ness model, just a rare one.

      Sorry the inter­tubes seem to be against you. I can’t imag­ine why.

    2. Dan Beeston says:

      Offensive?!!! Bullshit! Those Cock gob­blers don’t know the mean­ing of being offended. All they have to do is ignore it, and if they’ve been on the inter­net this long and not learned to ignore the stuff that offends them then those butt mon­keys can hap­pily get bent out of shape about this com­ment too.

    3. Derksen says:

      Offensive? Yeah, I’ll admit that it was lit­tle bet­ter than pan­han­dling, but worse have done it for less. At least you offered to return with high qual­ity prints for your donors, instead of ask­ing for dona­tions to cover your $30k credit card debt after shop­ping for clothes and offer­ing noth­ing in return…

    4. Anna says:

      Oh Noes! Does this mean because I was slow­pokey I don’t get to pay for some mys­te­ri­ous future Yellowstone great­ness? Gah!

    5. Karmin says:

      Yeah, I agree with the other folks com­ment­ing here: I don’t at all see what’s offen­sive about it. Sure, some peo­ple may not approve, but that’s not “offen­sive”. And it’s not even as though you were demand­ing money: it was com­pletely optional and quite easy for peo­ple to ignore if they didn’t like it.

      I actu­ally thought it was a decent idea.

    6. I went and spent some time on your flicker pages after you put this up yes­ter­day, and I found myself very sad about the whole thing.

      Once upon a time, artists could count on patrons to sup­port them — a great deal of famous art would not exist oth­er­wise. These days when peo­ple must work so hard just to sur­vive (if they have work at all) we risk, I think, art of all kinds falling by the way­side. I love the oppor­tu­ni­ties I get to sup­port peo­ple who add value to the world, be it in draw­ing, paint­ing, pho­tos, or writ­ing, any kind of way. It’s amaz­ing that lit­tle monies can come together to make such a huge dif­fer­ence for peo­ple, it val­i­dates a pos­i­tive view of humanity.

      I guess that’s a view a lot of peo­ple don’t have any more.

    7. D.Paul.Angel says:

      I can’t say that I saw the post, but I infer from the com­ments that you asked folks to help fund a trip to Yellowstone to take pic­tures. I don’t know if I’m old or cyn­i­cal, but any­one find­ing offense with that sim­ply isn’t worth your trou­ble. You take amaz­ing pic­tures, many of which are freely view­able of flickr. If I had the money I’d totally kick in for you, because you do give back. If all the pho­tos and expe­ri­ence you had would sim­ply dis­ap­pear, or would only be sold for profit I could maybe see it, but as near as I can tell you share both. For free.

      I under­stand your deci­sion, but it is sad that you had to make it.

    8. Norm says:

      Really? Offensive? Your pic­tures rock. I’ll chuck in a few bucks if any­thing to piss off the peo­ple offended by this.

    9. cgeye says:

      It was a fair deal, with even the over­age donated well. Nothing offen­sive about it. You asked for patrons, fair and square, for a spe­cific project. Microlending should not dis­crim­i­nate; the qual­ity of the effort’s what’s being judged.

      You got hit by griefers, who aren’t worth the pix­els to read.

    10. Well, I’m going to be redec­o­rat­ing soon and have been want­ing some Wyoming nature pho­tos on the walls, so I’m going to hit you up for this one way or another. Still dri­ves me nuts that frames usu­ally cost more than the actual pic­tures inside them…

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