Full disclaimer: Ken is a great guy, someone I consider a wonderful friend. One of my regrets about not living in Portland (despite having wanted to for about 8 years) is that I don’t get to hang out with him and his wife more often. Ken’s success is well-earned. We first met at a Norwescon a few years ago, and Ken was just getting started again seriously with his writing. He’d sold a few stories, not many. We hit it off and I asked him to send along something to the Fortean Bureau, which he did, and we bought it. And a couple of others. I loved Ken’s short stories. I suppose that is to temper my comments coming next.
I enjoyed Lamentation. However, for me at least, it suffers from overhype. It’s a good book, but so much energy was poured into calling it a great book that I had unrealistically high expectations. I don’t mean to damn it with faint praise, and I’ve thought long and hard about whether I wanted to admit that I didn’t froth over the book, because I want nothing more than to see Ken succeed. So listen, I did like the book. I do recommend that you read it. You are liable to love it.
Anyway–It’s very interesting on several levels to me. Ken’s very good at what he does, so let me expound on how and why.
One aspect that I really like is that it’s a breezy kind of epic fiction. I read the book in 2 days. I rarely get to cut through a book that fast (although this is the first book that I’ve read since being laid off). The book rarely dragged which is rare for this kind of fantasy for me.
A lot has been said about the world building, which I started out disliking and slowly grew to find more interesting over time. It felt at first to me that not enough logic and forethought went into the combination of echos of our world’s culture. As the book develops, I see that more is going on, and I became more interesting. I really liked how the history of what had happened echoed through the events of the book. I think Ken handles this excellently. World building can easily bog down this kind of fantasy. Look at Tolkien, who I consider an interminable bore when it came to all his descriptions of landscapes and Elvish history and singing. Ken fleshes out his world, but does it deftly, much like everything else he does in the book.
I do think the book suffers a little from too many points of view. I found the concept of many of the characters interesting, but their insights rarely struck home with me. I spent much of the book waiting for a character who would sink his teeth into me like Tyrion from Martin’s books. However–Martin’s books are like 5 times longer and I don’t think this is a matter of skill so much as it is a matter of time. Ken’s got 4 more books to do this, and I’m definitely going to give him a chance to develop these characters even further.
Okay, I’m entering into spoilers territory next. Behind the cut.
One thing bugs me, and that is that I never really felt like the main cast of characters were at risk. They suffer some emotional damage, and I think maybe a couple of minor wounds here or there, but I never got hte impression that these characters lives were at risk. Some may like that, but I felt that it really sapped the dramatic tension for me. Maybe Ken will prove me wrong and murder Rudolfo in his sleep in Book 2, I dunno. But I kept waiting for the other shoe to drop, so to speak, and it never did. I don’t know. Maybe this is a case of “too much George R.R. Martin.”
I did feel that the characters had detailed emotional lives, and I really liked what was going on with Tam and Rudolfo’s history, the historic manipulation. I never felt that the characters didn’t have inner lives, which was pretty impressive. That said, I did find that Rudolfo became a bit of a cypher. He was a hard man to read, both for myself and I think for the characters around him. I hope we dig further into his psyche in future books in particular.
I like where this book leaves off. I’m very intrigued by this moon that sounds an awful lot like a habitable world. I wonder who this evil force is outside the Named Lands, and I’m very interested to see the world grow beyond the Named Lands. What else is out there, I wonder? I do look forward to finding out.


















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I worry about the hype’s impact, too. If I’d just picked up the book and read it cold, I would have said, “Good first novel, interesting writer, I’ll read the rest.” But after hearing for months that it was the Next Big Thing, just absolutely mind-blowing, it does seem rather disappointing — it’s good, maybe even very good, especially for a first novel, but I wouldn’t say it’s great. Fortunately I can recalibrate my brain and ignore the hype in the future — and, really, I should know better than to buy into such things. And Ken is the kind of writer who certainly could achieve greatness in time.
Ken is an incredibly likable guy, and a good writer, but very much at the beginning of his career. I enjoyed the book, thought it had many charms and was highly readable…but I do wonder if the overhype will come back to hurt his career down the road.…