Photo: Other People’s Children

Last Sunday, thanks to my good friend and sound engi­neer­ing genius Nate Periat (the audio mas­ter­mind behind the Roundbottom pod­casts), I had a chance to do a shoot of a cou­ple of live bands here in town at the Cork. I’ve never shot in this kind of envi­ron­ment before, and hon­estly, it’s a bitch. The light­ing was so absolutely low i had to shoot at ISO1600, which is just ter­ri­ble, ter­ri­ble noise with band­ing on my E-​​3 (not known for it’s abil­ity to han­dle low light con­di­tions). However, with some judi­cious high-​​contrast black and white pro­cess­ing, I think they turned out nicely any­way. I shot most of this with the pan­cake f2.8 25mm (50mm equiv­a­lent). Both bands were a breeze to shoot with. I just wish there had been more light. Pictured here is half the quar­tet that makes up Other People’s Children. Check them out if you like punk­ish metal.

Branching out as a pho­tog­ra­pher. Feels pretty good. Might lead to some good opportunities.

Photo:  Other People's Children

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    2 Responses

    1. Live shooting’s a bitch. With my cheap kit, I end up tak­ing 3–400 shots in three songs and get­ting maybe three barely usable pix from the set; skill obvi­ously helps (as does tim­ing and expe­ri­ence) but the light sit­u­a­tion means it’s hard work with­out top-​​grade cam­eras and lenses the size of beer bar­rels. Still, you caught some good­ies there — it’s all about the can­did moment, and you’ve got the eye for it. Guess all that stalk­ing wild ani­mals has paid off, huh? :)

    2. Jeremiah Tolbert says:

      Yeah, I shot about 800 shots for the two groups and got maybe 60 shots that I wasn’t com­pletely embar­rassed by. Thanks, glad some of them turned out okay. Stalking ani­mals is EASY com­pared to shoot­ing in this light.

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