Archive for November, 2008

links for 2008-​​11-​​19

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Photo: Levee II

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Depth of field. Where would I be with­out it? The first aspect of pho­tog­ra­phy that I truly grasped, I could spend the rest of my life explor­ing its many vari­a­tions and uses. Might get a lit­tle bor­ing though.

I prob­a­bly should have opened up the aper­ture on this one a bit and widened the sweet spot. This is the kind of photo I like to take that has me inter­ested in a LensBaby, with it’s crazy blur and sweet spot. Just can’t let myself spend that kind of money in this econ­omy though.

My to-​​do list today (non-​​work related) is longer than it was yes­ter­day. I am really frus­trated with my inabil­ity to get any­thing beyond the bare min­i­mum done lately.

Photo: Levee II

links for 2008-​​11-​​18

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Photo: The Couple

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In an effort to revive my lag­ging blog, I am try­ing to bring back the daily photo. We’ll see if I can keep it up in my tra­di­tional off-​​season.

This is a beau­ti­ful, old sculp­ture next to a trail in a park that I’ve been fre­quent­ing lately. There’s some­thing vaguely oth­er­worldly about it, and I have con­sid­ered using it some­how in my Clockpunk sto­ries, but decided I didn’t want to abuse someone’s art like that with­out permission.

Photo: The Couple

Photo: The Levee

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From yesterday’s pho­towalk. I don’t play with lines enough in my work, or geom­e­try at all. Sometimes, it’s nice to leave the lights and just go with what nature gives you.

Photo: The Levee

links for 2008-​​11-​​17

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Clockpunk: The Deadly Mr. Whiskers

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This week was another heavy work week so I was unable to find the time to write a pod­cast script and get every­one together to record it.  With the Hiatus sched­uled now until December 8th, we should be able to get sev­eral scripts writ­ten and recorded.  I’m try­ing to move from writ­ing posts one at a time to writ­ing them in groups of sin­gle sto­ry­lines, and I’m try­ing to keep dif­fer­ent sto­ry­lines run­ning on the blog and on the podcast.

So, The Deadly Mr. Whiskers was a fun photo to shoot and chal­leng­ing to boot.  The model in this case is our cat Gildenstern (his brother’s name is Rosencrantz).   The toy was some­thing I spent the morn­ing mak­ing, and I have some behind-​​the-​​scenes pho­tos of it before the cats sav­aged it. It doesn’t really read very well in the cat photo unfor­tu­nately, but it’s made up to look like a lit­tle faery.  It had wings, but the cats demol­ished those early in the shoot, and they weren’t read­ing very well any­way, so we snipped them off.

Taking staged pic­tures of ani­mals is a pain in the ass.  Keeping the cat in the lights was impos­si­ble.  Getting him to play with the toy involved copi­ous amounts of cat­nip and even then, I couldn’t get him to attack it the way I wanted him to.  I have more pic­tures of my cats now than I ever really wanted.  This one was pretty much the best for what I was aim­ing for.  And with that, I’ll save fur­ther details for a members-​​only post on the Clockpunk site.

I hope you all have a won­der­ful week.

Weighing My Interests

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I had a very long week at work this past week, so most of my week­end was devoted to very low energy pur­suits.   I read a lit­tle, watched some TV, saw Quantum of Solace (okay, but not as good as the last one) and played the demo of Left 4 Dead, Valve’s new Zombie Survival Co-​​op game (fan­tas­tic so far and I can’t wait to play the full game).  More than half of today was devoted to mak­ing a prop for tomorrow’s Roundbottom photo, and then shoot­ing.   The newest post should be pretty amus­ing, even if it’s not the most meaty thing I’ve writ­ten lately.  After this, I’m tak­ing a 2 week hia­tus to attempt to build up some mate­r­ial and think about what I really want out of this project.

Lately, I have felt like I have to make a choice between writ­ing and photography–that I only have enough time out­side of my job to really mas­ter one of these two pur­suits.  It’s prob­a­bly not true, but I know that I split my ener­gies among too many things.  I was feel­ing okay about maybe dip­ping my toe back into the writ­ing waters, espe­cially after see­ing a great review of the Seeds of Change antholo­gies.  And then I saw some com­ments on a site about some of my work that was pretty bru­tal, and I lost what lit­tle moti­va­tion I had.

Until I can find a rea­son to write that can stand up to the whims of Joe Random Internet Commenter, then it’s best that I not do any writ­ing.   This is one of the things I like about pho­tog­ra­phy.  If peo­ple don’t like your pho­tog­ra­phy, they rarely say any­thing.  If they like it, they do.  But when it comes to fic­tion, peo­ple seem to be com­pelled to tell you at length just how much you suck. It prob­a­bly has some­thing to do with the time invest­ment it takes to con­sume a story vs look at a photo.

Sometimes I think that my pho­tog­ra­phy would get bet­ter if it was cri­tiqued to the same degree my fic­tion has been, but then, neg­a­tive comments–comments of any sort–don’t really count as cri­tique.  And maybe some of the fun of pho­tog­ra­phy would be drained if I took it that seriously?

Earlier, I went for a pho­towalk down by the river to clear my head and just be in the now.  Lately, I am too busy think­ing and the nature of my work doesn’t allow for me to get into the now very often.  By “the now” I mean, the groove,  the flow, what­ever.  A state of being and doing, where time is mean­ing­less and the ego slips beneath the sur­face.  I took a few decent shots, and stum­bled upon a bunch of beaver chews.  I walked up and down the area look­ing for the dam, but I couldn’t find it.  I will prob­a­bly go back the next time I want to take a walk and see if I can spot it.  It was very nice.

When I think about how plea­sur­able it is to go on a pho­towalk or take pic­tures in gen­eral, I won­der why I can’t have that much fun writ­ing any­more.  At some point, it stopped being about fun and started being some­thing else.  God knows I value my leisure time like it’s made out of dia­monds since my Dad died, so maybe I take writ­ing so seri­ously because I don’t want to waste anyone’s leisure time with crap writ­ing.  Ahem.  Which I sup­pose I am kind of doing right now.  I com­mand you not to read this unless you are steal­ing time from your employer!

There, I feel better.

One day I am going to look back at all the time I have spent ago­niz­ing over all this and I’m going to be angry at myself for not just shut­ting up and doing some­thing.  I used to tell peo­ple that the key to writ­ing was to “shut up and write” but I’ve got­ten awful at fol­low­ing that par­tic­u­lar advice.  But not tonight–I’m too tired to be angry with myself about it.

To Rent a Studio, or Not?

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I looked at a stu­dio space yes­ter­day. It’s 175 square feet, in an artist’s coop.  $175 per month plus a $45 a month coop fee.  The ceil­ings are a bit lower than I like, with lights that hand down.  But it’s bet­ter than any­thing else I’ve heard about.  And I can exhibit work for sale there and they have a lot of foot traffic.

I don’t know.  It’s a big com­mit­ment (lease until the end of June) and most fright­en­ing, I have to go before the coop with my work and be approved.  The idea of hav­ing other artists look at my work and giv­ing it the thumbs up or thumbs down scares the crap out of me.  I just want a space to work in and get bet­ter, to shoot por­traits and the like.   The idea of my pho­tog­ra­phy being scru­ti­nized really scares the day­lights out of me.  I don’t think I’m very good yet.

But I need to save money for a poten­tial move in the spring.  I really shouldn’t be rent­ing the space.  But I don’t have more than 5 square feet of empty floor space in our apart­ment.  I’m at a loss for what to do. I’m lean­ing towards just not doing any­thing at all.

I’m strongly con­sid­er­ing clos­ing Roundbottom down for the win­ter.  I’m out of ideas and energy and good shoot­ing sub­jects.  But that would be a let down for the peo­ple who bought mem­ber­ships in the foun­da­tion.  Ugh.  I think I need some sleep.