Tor Will Make a Big Splash
A few years ago, we were all upset when SCIFICTION was dropped by the SciFi Channel. The genre lost its best paying market, and arguably the highest quality publication, online or in print. Its departure from the scene left a hole that many have tried to fill, to varying degrees of success. But the world has changed significantly since then.
Today, nearly every publisher, large or small, has some sort of online component. No longer is digital content being largely ignored, as it was when I first came onto the scene in 2001. Baen, Prime Books, Small Beer Press, Tor, just to name a few that have recently or regularly released content online for free. Tor’s coming social networking/publishing site might be the final piece of the puzzle that ties the SF/F community together under one roof (depending on the extent of their social networking tools). I eagerly await the chance to beta test their site.
SCIFICTION and Strange Horizons stood mostly unopposed for a very long time. Smaller, respectable markets flourished, but none of us had the audiences of these two publications. Baen came onto the scene, and shook things up, but I don’t know much about them because their model of the subscriber wall keeps me out. Tor is going to bring in the existing online audience, and I think they have the clout and stable of authors to bring even more readers to online short fiction.
Tor’s entrance onto this stage is going to elevate everyone’s game. With a new giant player on the scene, the smaller publishers are going to be working harder to innovate, harder to stand out. We’ll see even more experimentation. We started out with the online fiction itself as the experiment. Tor’s entrance proves that experiment’s central thesis. People will and do read fiction online, and in great numbers. What’re more, I believe it validates the model of the short fiction as advertisement for long form publishers. Prime Books, Clarkesworld, and Subterranean have pioneered this.
I can’t help but think that we have Cory Doctorow to thank for much of this. I’m sure many people released books online for free before him, but did many who had traditional publishing contracts release their books online in conjunction with the print release? It’s almost certainly his influence that has led Tor to developing their coming site–I’m sure others, such as Patrick Nielsen Hayden and semi-anonymous Tor employees at who I do not know are ultimately responsible for the project, and I don’t want to minimize what they are doing. But Cory blazed the path. That path is turning into a paved road. Soon, it may be a highway.
Who Falls Behind?
I like the fiction in Asimov’s and F&SF very much, but they are beginning to look a bit like large warm-blooded bird ancestors prone to massive extinction by meteor impact. F&SF has made some strides in the online world, with it’s free fiction and blog, but the fiction is mostly pretty old, practically ancient in online terms, and their presentation leaves much to be desired.
Asimov’s web presence has not changed significantly since I first visited their website. It’s a mess, frankly. It’s great that you can buy it for the near-mythic Kindle, and they’ve been available in various e-formats for a long time via Fictionwise. But they have utterly failed to take advantage of the web as a medium. And no, I do not count their septic forums. I haven’t paid much attention to Analog, but I suspect they’re in a similar place, being owned by the same publisher.
What Next?
Who will make the next innovations in publishing? I think it will still be the small, fleet-footed publications like Futurismic, Clarkesworld, Fantasy, and so on. Podcasting, once the sole domain of EscapePod, now has several other major players on the field, even excluding the various EscapePod spinoffs. And remember, their number of listeners outweighs the readership of any print magazine out there. I also think that their listeners are not the same people as the subscribers of magazines. It’s a completely different audience, and ignoring the podcast audience would be like throwing money away at this point. I predict more will offer podcasting supplements to their web presences. Small publishers will begin to investigate developing for the mobile web, and this may call for a different type of fiction, something shorter and leaner. The use of multimedia and artwork is going to grow. A simple site like the Fortean Bureau looks like an Amish buggy compared to the hot rods we’ll be seeing in the next couple of years. I don’t know about you, but I’m very optimistic and excited about the things that are to come. We may not get paid much in the short fiction world, but there are more and more opportunities to connect with audiences. And for readers, there’s never been so many options for your reading experience (which presents its own set of problems).
Tags: Cory Doctorow, electronic magazines, Fortean Bureau, online, Publishing and Printing, Science fiction, Small Beer Press, strange horizons, Tor
Yep, I’m pretty excited about what’s going to happen when the new Tor site drops too.
The big magazines producing podcasts is going to be great. Podcasting, especially Escape Pod and Starship Sofa, has massively increased the amount of short fiction I consume since it happens in time that’s otherwise wasted (like driving to work).
You say the mobile web might lead to a different type of fiction. I think certain types of stories lend themselves more readily to podcasting as well. Perhaps we’ll see people adapt their own short fiction into full audio dramas?
Brave post, saying good things. So you can expect to be pilloried for it! ;)
Seriously, it’s a tricky situation, because it’s hard to criticise the current state of play without standing accused of “wanting to destroy paying short fiction markets” or somesuch. I want to do no such thing — I only discovered short fiction markets a few years ago! I want them to live, the more of them (and the more diverse) the better. Only time will tell, I guess.
Good to see you posting some meaty stuff, BTW … and doing so somewhere I can comment on it!
Good question, Grant. I think some writers, working in the field of Alternate Reality Games, are already blowing their work up into “dramas.” I think there are some SF audio dramas going on out there, but not written by any authors I know.
I love that my commute is when I get some reading done, via podcasting. I’m glad there’s already more of it. I spend an hour a day walking to and from work, so that’s 5 hours of podcast fiction I can reasonably consume.
Paul, thanks. I’m prepared to be pilloried. And I agree, it’s very hard to criticize the current state of things without being attacked, but I don’t think I’m really criticizing things. I just think competition in this case is good. Tor will bring new ideas to the table. I’m eager to see what those are. I don’t necessarily think they will be the new SCIFICTION, but they have that potential, given the clout and pay.
I hope to be posting nothing but meaty content from now on, and a big reason I redesigned the blog was to get this commenting community going.
Hey,
Yeah, it’s really funny — print SF is undergoing a micro-renaissance in Korea, and one of the big signs is that a print magazine took off (and has seemingly remained sustainable) as a step up from cheap or unpaid webzine publication. The publication path here looks like it goes from webzine to magazine to novels (with fiction and essays appended). The anthologies seem to sell well enough to sell out. But the real killer is this print SF magazine, Fantastique. (I’ve linked it under Read in my homepage blogroll, if you’re curious, but you won’t be able to read a thing!)
I’m planning on doing some analysis of what they’re publishing, because their choices of translations are really, really interesting: Yoon Ha Lee, well, she’s Korean American so obviously of interest. But also Ted Chiang, Nancy Kress, a good number of Japanese SF authors (and some Chinese, I think I saw), and a bunch more older stuff I was surprised to see — including Lewis Carrol serialized.
But the killer is that the magazine is beautiful and colorful, with tons of art, about three hundred pages long, with ads… tons of ads, and — this was a surprise to me — plenty of them are actually aimed at women. (ie. instant coffee, cosmetics, and other products primarily consumed/marketed-to by women college-aged and up.) Many of the ads appear in the front 70 pages, which (in the couple of issues I looked at) are glossy, but the other 230 pages are also colorful, pretty stylish, some in full-color, and have some ads too.
It’s stylish, it’s eye-catching and inviting, it has all kinds of stuff from movie and book reviews — reviews of books in translation as well as long, ardent wishlists of books not yet translated — interviews with writers (Korean or otherwise), discussions of events, of “SFnal fashion,” of trends in SF abroad, (I think I saw something on “Suh-tim-pun-keu” — Steampunk), artists who do SF or other genre work, political issues from an SFnal perspective, and so on. Manga and other comics, as well… a good chunk of that. It’s literally packed with stuff. Having it in my hand, I genuinely wish that reading a story in Korean wasn’t a Herculean task for me.
Oh, and it costs $6.50 a month off the newsstands. Less if you subscribe. (Though, to be fair, Korea’s a small place postally, and I bet most of the subscriptions are in Seoul.)
But really, beside it, even the loveliest of SF magazines looks, well… sigh.
I should say, though, what might be making the difference is simply fandom. SF has way fewer fans here than in the West, I think, but it’s growing here, and there’s a kind of murkiness still on where the genre boundaries matter less than the relief of meeting other people into genre stuff, and having a print magazine to give you a monthly dose. Stuff to collect, to look at again and again. It’s like this magazine is making an effort at helping fans in the construction of a kind of life of fandom — here’s art exhibits SF geeks will like! Check out these SF-geek-friendly fashions! Here’s some funky fan-art! Movies! Manga you should be into! Literary essays on the meanings of certain SF tropes (say, robots in SF)! Interviews with people in the genre — SF-friendly lit professors, publishers, artists…
The fandom thing… I bought an older SF anthology produced with stories in one of the (older) webzines, and you know — the last 150 pages or so were an appendix describing the history of SF, major figures and their novels (with a blurb for each), major schools in SF… the same kind of “crash course in foreign literature” that a friend of mine says the first translations of Western literature were accompanied by back when such things first began appearing here, too.
The magazine has less of that, but plenty of little features on famous SF authors of all kinds of different origins and backgrounds. There’s also lengthy reviews of new books in translation or new Korean books, and lots of other content that creates buzz for the whole industry. And there’s still a LOT of fiction in there. Over a hundred A4 pages of it, all told, and seemingly themed by month. (Vampires! Space Opera! Romantic Fantasy!)
Anyway… I’ll probably be reproducing a great deal of what I’ve said here in a more in-depth post sometime this month or next, but… I think there could be a way of doing a print SF magazine when there’s no competition. If something like FANTASTIQUE came along in the Anglophone world, say, tomorrow, though it’s probably easier when there’s nothing else on the market in your language, and when you still have the newness to stuff in all kinds of random things into the scope of your publication.
I regretfully add that I don’t think the model would work so well in English… for all kinds of reasons. But it’s just sad we don’t have something lovely like that.
(Even if, as an author, I prefer multiple markets, and so on… but I prefer sustainable, buzz-creating markets too. The SF magazines I subscribe to are for people who love SF already. FANTASTIQUE is for enchanting people who haven’t really looked into it, but could be converted (though they expect a magazine to look like, well, like any other modern magazine), as well as building genre/fandom-competency — which seems a very Korean idea, I guess — and also being interesting to people already into the genre. It’s a worm and hook at once… Hm. We don’t have a magazine quite like that, do we?)
Ooops, “The publication path here looks like it goes from webzine to magazine to novels (with fiction and essays appended).”
That should be “short fiction and essays appended”…