An Interview Regarding Dr. Roundbottom
Filed Under: My Writing, Photography, Top Post, Writing Process
K. Tempest Bradford has interviewed me for Fantasy magazine about my Dr. Roundbottom project. The interview is now live here.
K. Tempest Bradford: Did the initial inspiration for Dr. Roundbottom start with the photography or with the story?
Jeremiah Tolbert: The work started specifically in photography. I had an opportunity after a week of rain to go out and take some pictures of mushrooms. I started playing with some of the images in post, and ended up creating my most popular photograph, the eyeball mushroom. From there, I started writing flash fiction around the photography, and Dr. Roundbottom was born.
K. Tempest Bradford: Did the initial inspiration for Dr. Roundbottom start with the photography or with the story?
Jeremiah Tolbert: The work started specifically in photography. I had an opportunity after a week of rain to go out and take some pictures of mushrooms. I started playing with some of the images in post, and ended up creating my most popular photograph, the eyeball mushroom. From there, I started writing flash fiction around the photography, and Dr. Roundbottom was born.
Tempest: How does a typical Roundbottom image come about?
Jeremiah: I’m pretty strongly limited by my own surroundings and what I have the capacity to photograph myself. Some of them come from experiments in photographic techniques that I want to try out, and some of them come from specific images that I conceive and then try and photograph. Then some just come about as happy discoveries of odd things as I explore my surroundings with camera in hand.
For instance, there are not a lot of people in the Roundbottom photographs at this point because of my limited budget and access to period costumes. Luckily, I have leads on some costuming resources, so that will change with time as I do more storylines for the project. Also, my wife is hard at work sewing a more formal Roundbottom costume for myself, and a costume for a female character that’s part of the narrative.
More Thoughts on the Depression of Science Fiction
Filed Under: SF Business, Speculative Fiction
Charlie Finlay said in the comments on the last post that, for the past several years, every SF novel he’s read has seemed this way, which is why he’s trended towards fantasy. So I put some thought into what SF novels I had read recently.
The Execution Channel was the most recent one. Holy smokes, was this depressing. So it fits the bill. Postsingular seemed a lot more upbeat. In fact, it was the first near-future SF anything that I’ve read in a while that didn’t mention terrorism. So I haven’t really noticed a trend of depressive elements in my most recent reading of novels, but then, I don’t read a lot of SF novels.
I do know that Gordon has been talking about getting a lot more stories about death for a while now. Maybe I’m just now starting to see those stories being published here and there.
It’s odd, because I’ve spent the past couple of years kind of obsessed with death and the afterlife, and now that I’m coming out of that obsession and starting to feel better, I find death all over the place in my reading. Was it that common of a theme before? Not sure. I don’t remember it being so, but it’s probably a matter of my changed perspective as much as anything else.
Some questions.
1. Does anyone know how relatively optimistic the SF published in China is?
2. I don’t read Baen’s–are they more upbeat?
3. Do you think British writers have been more prone to depressive stuff since their own terrorist attacks recently?
4. Is there a need for upbeat SF? Not necessarily more positive, but maybe less, well, grim?
On the Merits of Asking What You Hate (or Love)
Filed Under: SF Business, Speculative Fiction
Jason Stoddard has asked “What do you Hate Most about SF Short Fiction?”. I must say, I was disappointed with the responses. There’s no consistency among the comments, just like there’s no consistency in the tastes of any large, diverse audience. I haven’t gotten to read the Something Awful responses yet, but I am looking forward to seeing if they are more useful to me as a writer than “Put in more robots” and “too much character development” (a comment quickly followed by someone complaining about too little character development).I kind of hoped a pattern would emerge, that we would diagnose the problem that everyone is so sure is there, because of the numbers. We’re like doctors huddled around a comatose patient we believe to be dying because of the monitors, each shouting their own diagnosis. We’ll never come to any kind of conclusion because it’s all a matter of opinion. And you know what? I’m sick of opinion. Give me information, stories, humor, not opinions. Anything but those. Everyone has one, and everyone is always wrong.* As an aggregate. Being sick of opinion probably means I am suffering blog burnout. Anyway–
What I am beginning to hate most about short SF is its incessant need to talk about itself. If I put half as much energy into talking about it and thinking about it, I probably would have gotten a damn novel written by now.
I’m just going to shut up and write now.
*Exceptions made for Nick Mamatas and David Moles.
